The last of Tex Avery's variations on 'Red Hot Riding Hood' (1943), in which the country wolf visits his city cousin, who tries to teach him the rudiments of civilised behaviour when ... See full summary »
A mangy cat on the verge of starvation finds a tiny canary and a bottle of 'Jumbo-Gro' fertilizer, which gives him an idea that leads to giant cats, dogs, mice and canaries chasing each other round Lilliputian towns and cities...
The story of Frankie and Johnny: Frankie walks into a bar, where she catches her boyfriend Johnny with the sensuous Nelly Bly and kills him in a fit of jealousy. The story is told in song, ... See full summary »
The Pilgrims land at Plymouth Rock and found a colony. A very large number of Pilgrims can be seen standing in line... for their cigarette rations. A Pilgrim goes hunting for Thanksgiving ... See full summary »
The characters of the fairy-tale absolutely refuses to do the tale in the same old way. Instead Little Red Riding Hood is transformed to the hottest singer in town, the wolf becomes The Wolf and grandma turns into a man chaser.Written by
Reidar Lyng <firstname.lastname@example.org>
Tex Avery's first excursion into animated sexual frenzy is his best, ranking as one of his three greatest cartoons (the other two, in case you're wondering, are "Who Killed Who?," also 1943, and "King-Size Canary," 1947). Although Avery would explore this theme in five more cartoons (or six or seven, depending on whether you want to count "Big Heel-Watha," 1944, and/or "Little 'Tinker," 1948; your call), none of them quite reach the heights of the original. (At least not in overall effect: Tex's single most outrageous gag of this sort is in the long legally undistributed "Uncle Tom's Cabana," 1947, and involves a cash register hidden under the aroused male's coat. Nuff said!) Some have suggested that having the Wolf's pursuit by Grandma follow the raging libido scene was a mistake in pacing, but it all works for me. It's too bad Avery didn't complete the opening misdirection by having the FIRST title card read "Little Red Riding Hood," but it goes by so quickly, and is drawn so conservatively that it doesn't really hurt. Besides, is there a context in which this film could be realistically expected to be shown where the audience would be truly surprised when it doesn't turn out to be a straight version of the fairy-tale?
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