Woman wonders why her little pet birds keep disappearing. Rudolph the cat knows, but other than burping feathers, he's not saying. But it looks like he's met his match when the woman orders...
See full summary »
A wolf, deprived of meat by war rationing and starving, sees an article in the newspaper about a sheepdog leaving his flock to join the army and thinks it will be easy pickings. However, if... See full summary »
Daffy challenges duckhunter Elmer to a boxing match, rigged in his favor with the collusion of the duck referee. In the stands, Elmer's dog Larrimore suspects that something funny is going ... See full summary »
Porky is the engineer on the most pathetic train in the fleet. After some routine episodes (using pepper to get the engine to sneeze itself up a hill, chasing a cow off the tracks, only to ... See full summary »
Winter. A duck struggles mightily, and finally hatches her eggs in the bitter cold, after candling them and seeing the chicks skiing, skating, and otherwise enjoying winter inside the ... See full summary »
Daffy is an agent representing Sleepy Lagoon trying to sell him to talent scout Porky. Daffy spends a great deal of time and energy explaining and demonstrating what the kid can do, while the kid sits on a couch licking a giant sucker.
Woman wonders why her little pet birds keep disappearing. Rudolph the cat knows, but other than burping feathers, he's not saying. But it looks like he's met his match when the woman orders another bird from the pet shop: a little yellow canary named "Petey".Written by
Paul Penna <email@example.com>
This cartoon was colorized in 1968 by having every other frame traced over onto a cel. Each redrawn cel was painted in color and then photographed over a colored reproduction of each original background. Needless to say, the animation quality dropped considerably from the original version with this method. The cartoon was colorized again in 1990, this time with a computer adding color to a new print of the original black and white cartoon. This preserved the quality of the original animation. See more »
Frank Tashlin's 'Puss 'n' Booty' is perhaps the great underrated director's most perfect cartoon. The last black and white Looney Tune, 'Puss 'n' Booty' opens with a fairly standard setup that you might expect to see in a Tweety and Sylvester cartoon. What separates it from that repetitive series is this cartoon's refusal to just cut straight to the easy gags. Instead, 'Puss 'n' Booty' is very much a character piece and dedicates a good portion of its running time to sequences which would have been summarised in a couple of shots in a Tweety and Sylvester cartoon. After Rudolf the cat has hiccupped feathers, thereby letting the audience know what has happened, Tashlin refuses to leave it at that and cut to the main story, instead initiating a tremendous bit of character comedy as Rudolf pretends to be devastated and searches everywhere for his missing "friend". The following sequence is even more masterful as Rudolf anxiously awaits the delivery of a new canary, pacing backwards and forwards on the garden wall and frantically waving down every passing vehicle.
This long build up to the arrival of the cartoon's second main character would have been reason enough to hail 'Puss 'n' Booty' as a masterpiece but Tashlin sustains the brilliance. Instead of resorting to a series of spot gags as Rudolf tries to eat the canary, Tashlin keeps the emphasis on character and the jokes themselves are conspicuously kept low-key so that we can continue to focus on the character's priceless reactions. There's an air of real threat that is absent in the Tweety and Sylvester cartoons, as the canary battles for his life. These scenes are also spectacular, particularly the beautifully directed night-time shots. It all culminates in one of the best and strangest final gags in cartoon history. Despite initially appearing to be just another cat and bird cartoon, 'Puss 'n' Booty' quickly establishes itself as something very different. It's a genuine triumph, an unsung classic that I still consider one of the most perfect films of animation's golden age.
6 of 7 people found this review helpful.
Was this review helpful to you?
| Report this