Small-town Indiana girl Lily Mars dreams to be a stage actress. She begs visiting Broadway producer John Thornway for a role but he dismisses her as an amateur. She follows him to New York and worms her way into his show, and his heart.
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Hoping his son will attend his alma mater, Judge Hardy agrees to let Andy look for work in New York for the summer before committing to start college. In the big city, Andy is confronted with the harsh realities of life and love.
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New York, he gets to know her better and his opinion of her changes for the better. Then, when the leading lady of the play walks out, Lily gets her big break on Broadway.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Judy Garland and Martha Eggerth (Isobel) performed together the previous year in For Me and My Gal. See more »
John, he died several years ago. He left a wife and five children. Nobody knows how they manage, but they do. Everybody in Midhaven worries about the Marses... except the Marses.
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Under the single "The End" title, Davey Mars is seen to steal one more doorknob for his collection. See more »
The film itself is a lopsided affair with some heart and decent performances. It also features the Bob Crosby and Tommy Dorsey orchestras in a couple of notable musical sequences. Although this is Judy Garland's show, MGM strangely showcases operatic star Martha Eggerth a little too much and her presence mostly drags the film into headache territory. Thank God Garland makes up for it with a couple of terrific numbers of her own that show off her flair for comedy as well as singing and dancing.
The story doesn't hit target centre overall but it's not terrible and things do move at a nice pace, and Van Heflin turns in his usual capable performance. Garland simply outshines the material and it's a shame the writers missed so many opportunities for a more balanced and meaningful story.
Not a great film, or maybe even one of Garland's best, but she's great in it and her fans won't be disappointed.
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