Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out.Written by
Rod Crawford <firstname.lastname@example.org>
When the phantom strangles the police man, the officer has a cape on. When the inspector finds the body, the cape is gone but the rope is around his neck. See more »
You must choose between an operatic career and what is usually called "a normal life." You can't do justice to both.
The artist has a special temperament, and he must live his life exclusively with those who understand it.
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Not really a horror movie, more a romantic melodrama. Lavishly produced and Claude Rains is excellent.
Anybody approaching 'Phantom Of The Opera' as a horror movie will probably be disappointed, but if you look upon it as a romantic melodrama it's pretty entertaining. The sets (mostly recycled from the twenties version) are lavish, the music is strong and the performances are good, especially the wonderful Claude Rains ('The Invisible Man', 'Casablanca', 'Notorious') who is excellent (as always). The rest of the cast includes songbirds Nelson Eddy and Susanna Foster, the late Hume Cronyn in a bit part, and a nice cameo from Fritz Leiber (the father of the famous science fiction and fantasy writer Fritz Leiber, Jr) as Franz Liszt. 'Phantom Of The Opera' is far from my favourite Universal horror movie but I still enjoyed it and it's worth watching, though I think in many ways the Hammer remake in the 1960s starring Herbert Lom is a better movie.
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