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Paracelsus (1943)

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Cast

Cast overview, first billed only:
Werner Krauss ... Paracelsus
Harry Langewisch Harry Langewisch ... Pfefferkorn - der Reiche
Annelies Reinhold ... Renata Pfefferkorn - seine Tochter
Mathias Wieman Mathias Wieman ... Ulrich von Hutten
Fritz Rasp ... Der Magister
Peter Martin Urtel Peter Martin Urtel ... Johannes - Famulus (as Martin Urtel)
Herbert Hübner ... Count von Hohenreid
Josef Sieber Josef Sieber ... Bilse, Paracelsus's sevant
Rudolf Blümner Rudolf Blümner ... Froben - der Buchdrucker
Harald Kreutzberg Harald Kreutzberg ... Der Gaukler Fliegenbein
Hilde Sessak Hilde Sessak ... Waitress
Franz Schafheitlin Franz Schafheitlin ... Erasmus von Rotterdam
Victor Janson Victor Janson ... Mayor
Karl Skraup Karl Skraup ... Surgeon
Erich Dunskus Erich Dunskus ... Innkeeper
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Storyline

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Genres:

Biography | Drama

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Details

Country:

Germany

Language:

German

Release Date:

12 March 1943 (Germany) See more »

Also Known As:

Paracelse See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »

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User Reviews

16th Century German doctor upsets the status quo with new "German" methods of treating illness.
30 October 1998 | by MAK-4See all my reviews

G. W. (PANDORA'S BOX) Pabst's celebratory film about the "revolutionary" 16th century German philosopher/doctor (known as Paracelsus and actually born in Switzerland) holds more than just historical interest as a Nazi approved subject. Though Pabst's sound films never achieved the prominence of his silent work, this is a well produced biopic with real surprises, especially when Paracelsus gives credit to Gypsy (!) folk remedies or when an Expressionist dance number symbolizes the entry of the plague (St. Vitus' Dance) into the closed town. Suddenly we're in Powell/Pressburger territory. Often obvious and slow, but certainly worth investigation, and not all that different from similar Hollywood produced biopics on ZOLA and LOUIS PASTEUR by director William (Wilhelm) Dieterle, a former colleague from Pabst's early UFA days. In fact, Dieterle's 1939 HUNCHBACK OF NOTRE DAME has many visual and thematic similarities. The romantic subplot, straight out of Die Meistersinger, only adds to the usual discomfort of watching a Goebbels approved Nazi era production.


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