After his colleague and a mentor, Prof. Achenbach dies in a set-up accident, while trying to produce gold from the lead, Werner Holk seeks revenge. Meanwhile, a British millionaire suggests that Holk work on him on a similar project.
In 1882 a country girl disappears from a small Hungarian village. The inhabitants suggest that she was murdered by the Jews. Everything is done to accuse them before the trial. A study in ... See full summary »
Georg Wilhelm Pabst
BEWARE SPOILERS : Hans Albers and Heinz Rühmann play two confidence tricksters. They manage to stop a night train for nefarious purposes, and impersonate Sherlock Holmes and Dr Watson. ... See full summary »
The film tells the story of the blond "singing sailor" Hannes Kröger who works in a St. Pauli club on the Große Freiheit 7, and falls in love with a girl. But she prefers his rival Willem and Hannes returns to the sea.
Four graduates of an industrial design school team up and form a small business. The protagonist is so excited by the venture that she turns down the proposal of her dashing instructor. ... See full summary »
Jacqueline is sixteen. Her parents are kept very busy by their mutual careers (Dad is a renowned attorney and Mum is a doctor running her own clinic). When they become aware that they ... See full summary »
Georg Wilhelm Pabst
16th Century German doctor upsets the status quo with new "German" methods of treating illness.
G. W. (PANDORA'S BOX) Pabst's celebratory film about the "revolutionary" 16th century German philosopher/doctor (known as Paracelsus and actually born in Switzerland) holds more than just historical interest as a Nazi approved subject. Though Pabst's sound films never achieved the prominence of his silent work, this is a well produced biopic with real surprises, especially when Paracelsus gives credit to Gypsy (!) folk remedies or when an Expressionist dance number symbolizes the entry of the plague (St. Vitus' Dance) into the closed town. Suddenly we're in Powell/Pressburger territory. Often obvious and slow, but certainly worth investigation, and not all that different from similar Hollywood produced biopics on ZOLA and LOUIS PASTEUR by director William (Wilhelm) Dieterle, a former colleague from Pabst's early UFA days. In fact, Dieterle's 1939 HUNCHBACK OF NOTRE DAME has many visual and thematic similarities. The romantic subplot, straight out of Die Meistersinger, only adds to the usual discomfort of watching a Goebbels approved Nazi era production.
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