In 1882 a country girl disappears from a small Hungarian village. The inhabitants suggest that she was murdered by the Jews. Everything is done to accuse them before the trial. A study in ... See full summary »
Georg Wilhelm Pabst
In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she... See full summary »
Jacqueline is sixteen. Her parents are kept very busy by their mutual careers (Dad is a renowned attorney and Mum is a doctor running her own clinic). When they become aware that they ... See full summary »
Georg Wilhelm Pabst
Kostja has created a ballet "The Bolero" (Ravel) for the famous ballet dancer Bettina, who is in love with him. But when Bettina gets polio, and lovely Irene should be her substitute,she is desperate. Will she ever dance and love again?
A group of men of differing circumstances and personalities gather at a monastery to undergo a course of spiritual reappraisal. They comprise of a candle-maker, a politician, an ex-prisoner... See full summary »
Mireille, a Frenchwoman, has married a westernized Turkish diplomat. Thinking that she will live a dream life in an Arabian Nights setting, she accepts to follow Vedad Bey, her husband, to ... See full summary »
16th Century German doctor upsets the status quo with new "German" methods of treating illness.
G. W. (PANDORA'S BOX) Pabst's celebratory film about the "revolutionary" 16th century German philosopher/doctor (known as Paracelsus and actually born in Switzerland) holds more than just historical interest as a Nazi approved subject. Though Pabst's sound films never achieved the prominence of his silent work, this is a well produced biopic with real surprises, especially when Paracelsus gives credit to Gypsy (!) folk remedies or when an Expressionist dance number symbolizes the entry of the plague (St. Vitus' Dance) into the closed town. Suddenly we're in Powell/Pressburger territory. Often obvious and slow, but certainly worth investigation, and not all that different from similar Hollywood produced biopics on ZOLA and LOUIS PASTEUR by director William (Wilhelm) Dieterle, a former colleague from Pabst's early UFA days. In fact, Dieterle's 1939 HUNCHBACK OF NOTRE DAME has many visual and thematic similarities. The romantic subplot, straight out of Die Meistersinger, only adds to the usual discomfort of watching a Goebbels approved Nazi era production.
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