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The Outlaw (1943)

Approved | | Comedy, Drama, Romance | 7 November 1946 (Mexico)
Western legends Pat Garrett, Doc Holliday and Billy the Kid are played against each other over the law and the attentions of vivacious country vixen Rio McDonald.

Directors:

Howard Hughes, Howard Hawks (uncredited)

Writer:

Jules Furthman (screenplay)
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Cast

Complete credited cast:
Jack Buetel ... Billy the Kid (as Jack Beutel)
Jane Russell ... Rio McDonald
Thomas Mitchell ... Pat Garrett
Walter Huston ... Doc Holliday
Mimi Aguglia ... Guadalupe
Joe Sawyer ... Charley Woodruff
Gene Rizzi ... Stranger who draws on The Kid
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Storyline

Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl, Rio's, place after Billy is shot. She falls for Billy, although he treats her very badly. Interaction between these four is played out against an Indian attack before a final showdown reduces the group's number. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

'BILLY! LET ME GO!" See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

7 November 1946 (Mexico) See more »

Also Known As:

The Outlaw See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The first American film that defied the "Production Code" of the Hays Office, which dictated what could and could not be shown on screen. See more »

Goofs

(at around 1 min) As Doc and The Kid are leaving the stable, they both walk into the camera shadow on the right side of the screen. See more »

Quotes

[first lines]
Townsman: Doc Holliday just got off the stagecoach! Do you want me and some of the boys to come along with you?
Pat Garrett: Why do ask that?
Townsman: Well, I certainly wouldn't want to fool around with him if I were alone.
Pat Garrett: I don't blame you, but I ain't gonna make no trouble for Doc Holliday. He's my best friend!
See more »

Crazy Credits

Prologue: "The Outlaw" is a story of the untamed West.

Frontier days when the reckless fire of guns and passions blazed an era of death, destruction, and lawlessness.

Days when the fiery desert sun beat down avengingly on the many who dared defy justice and outrage decency. See more »

Alternate Versions

The director's cut copyrighted February 15, 1941, had a running time of 123 minutes. After additional shooting from mid to end March, 1941, the producer submitted a re-edited version of circa 117 minutes for certification by the PCA, and was still denied it. In May 1941, the producer submitted a version with additional cuts (115 min), and was still denied certification. The PCA claimed that of 7 copies for distribution in San Francisco, California, in February 5, 1943, only copy #3 was in compliance with the cuts imposed by the PCA - which may mean that at least both versions (117 and 115 min) were theatrically shown at the limited premiere. Based on a letter by the PCA president, one may believe that the NYC September 15, 1947, re-issue with «objectionable material adequately altered» was a re-cut version running under 115 minutes. Meanwhile, the London, UK, premiere of November 29, 1946 of the «uncensored version» may have been the 117 min version. Various theatrical and VHS versions exist, accommodating different censorship and distributors' criteria, running anywhere from 95 to 105 minutes. See more »

Connections

Referenced in 100 Greatest Sexy Moments (2003) See more »

Soundtracks

Gwine to Rune All Night
(1850) (uncredited)
("De Camptown Races")
Music by Stephen Foster
Played on piano offscreen in the saloon
See more »

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User Reviews

 
Run for the Hills
23 August 2008 | by Bucs1960See all my reviews

And run for the hills is exactly what Howard Hawks did after Howard Hughes couldn't keep his hands off the production. Mr. Hughes or someone took over direction and gave us the finished product which is a mess but a lot of fun just the same.

The build-up of Jane Russell (no pun intended) was one of the great publicity moves in film history. That famous shot of her lolling around on a bale of hay with her famous chest falling about was enough to entice most red-blooded males to this film And she didn't disappoint as Rio, the girlfriend of many, faithful to none. Throw in Pat Garrett, Billy the Kid and Doc Holliday (where did he come from?) and you've got a mix of relationships that vies with "Brokeback Mountain" for male bonding. And just for the hell of it, add some Indians which cause our heroes to embark in a cloud of dust across the landscape.

I found Jack Buetel (or Beutel) a rather attractive actor in a wispy kind of way. Jane Russell's chest probably weighed more than he did. Unfortunately he never recovered from this film outing and sank into oblivion This film is about as coherent as a Marx Brothers romp but not nearly as intentionally funny. The whole thing is contrived, there's a lot of talk, talk, talk, and if there is some underlying message, I missed it. BUT, you have to see it for the camp value......it's really more fun than it should be. Maybe Mr. Hughes meant it that way. On second thought, I guess not.


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