Gabby refuses to breed his horse the Golden Sovereign with Roy's. When the Sovereign and Roy's horse escape, Skoville shoots the Sovereign by mistake but Roy is blamed and jailed. A year ... See full summary »
Roy's boss has inherited a very large ranch but the will keeps him from selling it although his widow could. Lucky Miller is out to get control of the ranch so he has a girl come west to ... See full summary »
After Pat Garrett kills Billy the Kid, Billy's look-alike Roy Rogers arrives and is mistaken for him. Although a murderer, Billy was on the side of the homesteaders against the large ... See full summary »
Bad guy Craig Allen, gambler and town boss, tries to take a gold mine inherited by innocent Chip Williams on her seventeenth birthday. Roy and his pal 'Teddy' Bear ride to help the girl and her cousin.
Crooks try to take over an airport by sabotaging the planes. Sheriff Roy catches them. Songs: title song, "Granada," "You Belong to my Heart," and "Wait'll I get my Sunshine in the ... See full summary »
Sue Farnum inherits a circus, but her dead father's partner is trying to take it away from her. Roy and Bob Nolan are filming a movie on location at the circus. They and a number of other ... See full summary »
A man of no worth brags to his daughter back East that he is rich and owns a big ranch. When she decides to pay a visit to her father, Roy and his buddies agree to pretend that the poor man is the owner of the ranch.
The Governor sends Roy to help bring in a gang of saboteurs. Roy joins a traveling show and soon learns the saboteurs communicate during Maurice's mind reading act that uses a hidden receiver. But Maurice is on to Roy. Roy narrowly escapes when Maurice leaves him tied up in a warehouse they are blowing up. But Maurice then kills a man and blames Roy who now finds himself in jail.Written by
Maurice VanAuken <email@example.com>
Certainly not a western in the usual sense. In fact, horses aren't seen til the end, while there're many more suits than Stetsons. The programmer does manage a good flying fists sequence, but fast-shooting and hard-riding are at a bare minimum. There's little scenery, except for some familiar LA area locations. And likely, wartime restrictions discouraged shooting in Technicolor so we get b&w instead.
It's 1943, and I guess Republic wanted something contemporary having to do with the scheming Axis powers. But reviewer Plankton is right. The script is very poorly done, so it's hard to know who exactly who is up to what and why. There are some good moments such as action on the train trestle and some snappy audience lines during Mohr's psychic act. And that's along with a pretty good selection of western tunes, like Red River Valley. Of course, Mohr makes a first-rate baddie, and it's unusual to see short, stubby Corrigan in a serious part, a departure from his usual addle-pated comedic parts.
In my little book, it's a lesser Rogers entry, apparently before he met up with the sparkling Dale Evans or the golden stallion Trigger. But it should do for Rogers fans if you're not too insistent about your traditional westerns.
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