A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's ... See full summary »
Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Two ghosts who were mistakenly branded as traitors during the Revolutionary War return to 20th century New England to retrieve a letter from George Washington which would prove their ... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
King O'Hara (Cecil Kellaway) uses his horse-drawn, handsome Hansom Cab to drive the guys and dolls of Broadway around and about Central Park, and all is well and good until O'Hara's ailing horse comes up more than a little bit ill and, in fact, ups and dies after King's friend, taxicab driver Wilbur Hoolihan(Lou Costello), inadvertently but effectively by administering candy to the ailing animal. Some of the guys and dolls are more than somewhat upset, especially those citizens, who carry rods and get a lot of pointed questions from police officers, and who aren't among those most admired as upright citizens. So, Wilbur sets out to acquire a new horse to pull King's Hansom Cab through Central Park. Wilbur rescues a lost horse and gives it to KIng. But the new horse , unknown to all, is a famous race-hose named Teabisquit, and it is soon noticed that the horse has a lot more spirit and giddy-up than the horse he replaced. And it is not long before Teabisquit is entered in a famous ...Written by
Les Adams <firstname.lastname@example.org>
There is a shot of a restaurant called the "Windsor House Band Box". This is an inside joke referring to The Windsor House, a restaurant owned by Lou Costello, and The Band Box, a nightclub owned by Bud Abbott. See more »
When Grover places his $100 bet, he places it on Teabiscuit's entered number. However, the horse with that number didn't win, so the ticket is worthless. Never mind that Teabiscuit won the race; bets at the track are on numbers, not on names. See more »
Universal kept Abbott&Costello very busy during the World War II years. They made so many films one wonders when they had time to do personal tours and war bond rallies. One of the more unusual items the team made was It Ain't Hay which was taken from one of Damon Runyon's Broadway stories. You'll recognize some of the character names from Guys And Dolls.
Lou Costello accidentally kills Cecil Kellaway's horse. Kellaway drives a horse drawn cart in Central Park and Lou's guilt, plus the guilt laid on him by everyone else including Bud in a great scene, makes him buy a horse that some racing stable was selling.
Problems arise when Bud and Lou discover they have the wrong horse, the horse they were to buy was a dead ringer for the champion 'Teabiscuit'. The boys pick up the real Teabiscuit, but when they discover the mistake are determined to cash in on it.
The movie is plainly ripped off from the Marx Brothers A Day At The Races, but that doesn't prevent it from being funny. One definite weakness was that the musical score in the Marx film was a lot better than what Harry Revel and Paul Francis Webster wrote for It Ain't Hay. Still Leighton Noble and Grace McDonald handle the music end nicely and it doesn't get in the way of A&C's routines. And Eugene Palette as the villain gets a few laughs himself as he always does.
It Ain't Hay is not often shown and that's a pity. Catch it if possible and hope it comes out on both VHS and DVD.
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