Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ...
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Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
A group of vaudevillians struggling to compete with talkies hits the road hoping for a comeback. Frustrated to be left behind, all of their kids put on a show themselves to raise money for the families and to prove they've got talent, too.
Small-town Indiana girl Lily Mars dreams to be a stage actress. She begs visiting Broadway producer John Thornway for a role but he dismisses her as an amateur. She follows him to New York and worms her way into his show, and his heart.
Hoping his son will attend his alma mater, Judge Hardy agrees to let Andy look for work in New York for the summer before committing to start college. In the big city, Andy is confronted with the harsh realities of life and love.
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to be a female for miles. But before Danny arrives, he spies a pair of legs extending out from under a stalled roadster. They belong to the Dean's granddaughter, Ginger Gray (Garland), who is more interested in keeping the financially strapped college open than falling for Danny's romantic line. At least at first...Written by
The musical play opened on Broadway in New York City, New York, USA on 14 October 1930 and had 272 performances. The leads were played by Ginger Rogers and Allen Kearns, but the cast also included Ethel Merman in her first Broadway production. She was featured in the "I Got Rhythm" number. "Girl Crazy" was later revised as a new musical, "Crazy For You," which opened on Broadway in 1992, starring Harry Groener and Jodi Benson. It won the 1992 Tony Award for Best Musical and ran for 1,622 performances. See more »
The white guitar Ginger has in the "Bidin' My Time" number doesn't appear to have any strings. See more »
You just don't ask a girl to marry you like you're going to the hardware store to buy a coffeegrinder. I mean you just don't come up to a girl and say 'The humidity is very high for this time of year will you marry me?'
I just didn't want to get... uh romantic.
Oh you just didn't want to get "UH" romantic. What are you saving it for?
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The Best Gerswhin score is given the MGM treatment
Put aside any preconceptions about "Mickey and Judy" movies. In fact, put aside the film entirely. It's watchable, but who cares? The reason to see this film is for the fantastic arrangements of some of Gershwin's best songs.
Hugh Martin and Ralph Blaine, soon to be famous for their score for "Meet Me in St. Louis," gave the Gershwins' score (their best show), the five-star treatment with fantastic vocal arrangements - though I'm sure Roger Edens also had a hand in there.
What you get are versions that make these great songs sound even better. "Bidin' My Time," which can be a sleeper if done badly, turns into a rich counterpoint between Judy and a male quartet. "Embraceable You" is given an easy, lightly swinging full choral arrangement after Judy has her turn, and "I Got Rhythm" is taken over the top with Tommy Dorsey and the "Six Hits and A Miss" backing Judy perfectly.
But the piece de resistance is Dorsey's arrangement of "Fascinatin' Rhythm," presented first as a typical swing arrangement (and a great one at that), and then with Mickey playing (appearing to play, actually), a piano solo a la Gershwin's "Variations on I Got Rhythm," complete with hand-crossing and all George's piano tricks - fantastic! Add to this Judy's painfully tender version of "But Not For Me," June Allyson's debut performance of "Treat Me Rough," and you have one of the best film scores ever. ("Bronco Busters," unfortunately cut from the film, is available on CD - in stereo, as are all the tracks.)
If you are a Gershwin fan, this film is a treasure. Thank god they didn't throw out the best songs, as was done a few years earlier when Rodgers & Hart's equally impressive score for "Babes In Arms" was butchered for that film. I guess you had to be dead before your work was treated with respect in Hollywood!
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