Larry Talbot finds himself in an asylum, recovering from an operation performed by the kindly Dr. Mannering. Inspector Owen finds him there, too, wanting to question him about a recent spate of murders. Talbot escapes and finds Maleva, the old gypsy woman who knows his secret: when the moon is full, he changes to a werewolf. She travels with him to locate the one man who can help him to die - Dr. Frankenstein. The brilliant doctor proves to be dead himself, but they do find Frankenstein's daughter. Talbot begs her for her father's papers containing the secrets of life and death. She doesn't have them, so he goes to the ruins of the Frankenstein castle to find them himself. There he finds the Monster, whom he chips out of a block of ice. Dr. Mannering catches up with him only to become tempted to monomania while using Frankenstein's old equipment.Written by
This was Bela Lugosi's final movie for "Universal" until his one off appearance in "Abbott and Costello Meet Frankenstein" in 1948. See more »
The innkeeper refers to the river being above the castle and the dam below it, then suggests that blowing up the dam will drown those in the castle. Later it is shown that the dam is above the castle. Another issue is that in the original, Dr. Frankenstein uses lightning attracted by kites in a storm, not water-driven turbines. See more »
Freddy Jolly - Graverobber:
[reading from a headstone]
'Lawrence Stewart Talbot, who died at the youthful age of thirty one. R.I.P.' That's it. Give me the chisel.
Suppose they didn't bury him with the money on him.
Freddy Jolly - Graverobber:
Everybody in the village knows about it - his gold watch and ring and money in his pockets.
It's a sin to bury good money when it could help people.
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A scientist's hand is shown pouring a chemical into a flask, which bubbles over in vapor that coalesces into the film's title and cast names. See more »
Original preview prints of the film included Lugosi speaking dialog as the Monster. Apparently, preview audiences found Lugosi's Hungarian accent hilarious coming from the Monster's mouth, so Lugosi's voice was deleted. See more »
It's true that this is a better sequel to "The Wolf Man" (in fact I like the first twenty-five minutes of this movie more that "The Wolf Man."), but it's a better Frankenstein film than "House of Frankenstein" or "House of Dracula" because the Monster has more to do here, and it's better than "Ghost of Frankenstein" just because it's more fun. Poor Bela Lugosi gets ripped all the time for what a terrible job he did as the Monster in this one, but in fairness his role was severely edited. The monster originally could talk and was blind, but the producers felt Lugosi's voice coming from the Monster was more funny than frightening, and his dialogue wasn't all that great anyway, so out it all went. It's for this reason that the monster acts so strangely in the final cut, and the Monster was supposed to be sick anyway. It was a mistake to cast the too old Lugosi as the Monster, but don't blame Bela -- he probably did the best he could, but we'll never know. I also think it was a mistake to cast Lon Chaney Jr. as the Monster in "Ghost." Both he and Lugosi were too round-faced to take over from Karloff. And the ending of "Ghost" was one of the biggest blunders in the entire series. But this film manages to survive all the mistakes and still be very entertaining. I've probably seen it fifty times in my life, and I can always watch it again.
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