Five years after meeting and falling in love with a banker, a willful shop girl decides to become his mistress upon learning he has since gotten married and had a son.
Director:
Robert Stevenson
Stars:
Charles Boyer,
Margaret Sullavan,
Richard Carlson
A unfaithful wife plots with her lover to kill her husband, but the lover is accidentally killed instead. The husband stays in hiding, and lets his wife be charged with conspiracy.
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
Director:
Frank Borzage
Stars:
Robert Taylor,
Margaret Sullavan,
Franchot Tone
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the... See full summary »
Director:
William A. Seiter
Stars:
Charles Boyer,
Margaret Sullavan,
Rita Johnson
Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every ... See full summary »
Director:
Rudolph Maté
Stars:
Margaret Sullavan,
Wendell Corey,
Viveca Lindfors
Shortly after the United States enters World War I in 1917, a Broadway actress agrees to let a naive soldier court her in order to impress his friends, but a real romance soon begins.
Director:
H.C. Potter
Stars:
Margaret Sullavan,
James Stewart,
Walter Pidgeon
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
Director:
Robert Siodmak
Stars:
George Sanders,
Ella Raines,
Geraldine Fitzgerald
Women are trapped behind enemy lines in Bataan province during WWII. These brave nurses train to try to save hospital wounded in Corregidor prior to Douglas MacArthur's return before the ... See full summary »
The Army nurses on Bataan need help badly, but when it arrives, it sure isn't what they expected. A motley crew, including a Southern belle, a waitress, and a stripper, show up. Many conflicts arise among these women who are thrown together in what is a desperate and ultimately hopeless situation.Written by
<LRampey@shell.1stinternet.com>
The play originally opened in a small theater in Hollywood, CA, in late September 1942, with the title "Cry Havoc". It opened on Broadway in New York City on 25 December 1942 with the title "Proof Through the Night", but changed the title back to "Cry Havoc" on 30 December 1942, probably because of bad notices. However, it closed on 2 January 1943 after only 11 performances. The opening night cast included Carol Channing and Ann Shoemaker. See more »
Quotes
Lieutenant Smith:
What can you do?
Nydia:
Well, I, um, back home where I come from, women aren't allowed to do a blessed thing!
See more »
Cry Havoc was based on a play by Allan Kenward which the Shuberts produced on Broadway and ran for a grand total of 11 performances over the Christmas/New Year's days of 1942-43. But what flops on Broadway can sometimes be a great success on screen and vice versa.
In this case the subject matter had already been thoroughly covered in the Paramount film So Proudly We Hail and Cry Havoc runs a distinct second to that film. Like the Paramount film, Cry Havoc deals with nurses in the Phillipines after Pearl Harbor and their experiences during the Japanese attack.
Margaret Sullavan was fulfilling the terms of an MGM contract with this movie. Afterwards she would concentrate on the stage and would only do one more film years later, No Sad Songs For Me. She plays the no nonsense army nurse with several new charges rushed up to the Bataan front among them Joan Blondell and Ann Sothern. Fay Bainter played Sullavan's superior and she also was winding up her MGM contract as well.
There are no substantial male roles in this film, they're seen briefly in fighting roles and of course as casualties. If you don't blink you'll see Robert Mitchum utter a couple of words and then die. Sullavan and Sothern have a rivalry going over an unseen army lieutenant.
In fact on the set they had a rivalry going as well. According to a recent biography of Margaret Sullavan, she and Sothern did not get along so their scenes together had some real bite. Sullavan felt that Sothern was slipping into her popular Maisie character for which she was doing a B picture series for MGM.
Cry Havoc should be seen because anything that has Margaret Sullavan should be seen as she left us way too few films for posterity. But this really is quite inferior to So Proudly We Hail.
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Cry Havoc was based on a play by Allan Kenward which the Shuberts produced on Broadway and ran for a grand total of 11 performances over the Christmas/New Year's days of 1942-43. But what flops on Broadway can sometimes be a great success on screen and vice versa.
In this case the subject matter had already been thoroughly covered in the Paramount film So Proudly We Hail and Cry Havoc runs a distinct second to that film. Like the Paramount film, Cry Havoc deals with nurses in the Phillipines after Pearl Harbor and their experiences during the Japanese attack.
Margaret Sullavan was fulfilling the terms of an MGM contract with this movie. Afterwards she would concentrate on the stage and would only do one more film years later, No Sad Songs For Me. She plays the no nonsense army nurse with several new charges rushed up to the Bataan front among them Joan Blondell and Ann Sothern. Fay Bainter played Sullavan's superior and she also was winding up her MGM contract as well.
There are no substantial male roles in this film, they're seen briefly in fighting roles and of course as casualties. If you don't blink you'll see Robert Mitchum utter a couple of words and then die. Sullavan and Sothern have a rivalry going over an unseen army lieutenant.
In fact on the set they had a rivalry going as well. According to a recent biography of Margaret Sullavan, she and Sothern did not get along so their scenes together had some real bite. Sullavan felt that Sothern was slipping into her popular Maisie character for which she was doing a B picture series for MGM.
Cry Havoc should be seen because anything that has Margaret Sullavan should be seen as she left us way too few films for posterity. But this really is quite inferior to So Proudly We Hail.