One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of...
See full summary »
Following three flops in a row, Broadway stage producer Willard Samson is told by wealthy divorcée Donna Davis that she will finance a show but only if she is the star. The fact she can ... See full summary »
The third film in the "3 Smart Girls" trilogy starring Deanna Durbin as Penny Craig, the youngest sister in the Craig Family. Now all grown up, she goes to work in a munitions factory ... See full summary »
In order to help her father get his silver mine running, a burlesque queen returns home to Arizona and gets a job as an enterainer at a dude ranch and runs into a romantic mining engineer and a counterfeiter.
It's 1650 in New Amsterdam, and Brom Broeck, a young outspoken newspaper publisher is arrested for printing advanced opinions on the undemocratic rule of Govenor "Peg-Leg" Stuyvesant. While... See full summary »
Harry Joe Brown
Dr. Molnac and his musical troupe; Beggs, the manager; Mitzi Martos, a singer; Mitzi's agent Pauline; society scion Barry Saunders and his "keeper" Oliver Goodwin, are en route to Santa ... See full summary »
When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer... See full summary »
One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of the entries underwent a title change from "Hit Parade of 19??" to, usually, a title of a song contained in the film, as happened in the case of this film when it was reissued as "Change of Heart" in 1949, and not known under that title until 1949. Not reissuing the film under the original title of "Hit Parade of 1943" had a two-fold purpose; the audiences of that era were not much interested in seeing a film twice, and a changed title-even when the original title was clearly shown in (very) small print in the ads and on the posters---had a chance of being seen again by that segment of the ticket-buying public who didn't read the small print. The plot here is just a trifle---Susan Hayward ghost writes songs for composer John Carroll, whose charms evidently outweighed his song-writing ability---...Written by
Les Adams <email@example.com>
The plot is so tiny it almost falls off the screen. Of course it's just an excuse for Hayward to look gorgeous and for the performance of a number of wartime hits. But what is remarkable here are the black performers, including Count Basie and Dorothy Dandridge and a pair of amazing male dancers. The central Sandman of Harlem number is outstanding.
The rest is pretty dull with John Carroll trying to be Clark Gable - but Eve Arden provides a few laughs and she works very well with Hayward.
1 of 3 people found this review helpful.
Was this review helpful to you?
| Report this