A wealthy woman, trying to discourage a former boyfriend from pursuing her, hires a young songwriter who needs money to pay off his gambling debts to pretend to be her boyfriend. The ... See full summary »
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to ... See full summary »
Robert Z. Leonard
While in a train halted at a station, Nikki Collins witnesses a murder committed in a nearby building. When she brings the police to the scene of the crime, they think she's crazy since ... See full summary »
Edward Everett Horton
Princess Victoria 'Vicki' Wilomirska and Baron Nicholas Eugen August Wolfgang 'Nikki' Prax are expatriate European nobles with no assets or property except their aristocratic pedigrees. They have become professional house guests at homes of socially ambitious nouveau riche Americans who want the prestige of playing hosts to these titled spongers. However, when Vicki and Nikki want to get married, they find that married royals are not in demand as eligibly unmarried ones. Ultimately one of these socially attractive, unambitious bluebloods will have to do the unthinkable and actually get a job.Written by
This film, "We Were Dancing" from 1942 is a combination of two Noel Coward plays, and neither one was his best work.
The film stars Norma Shearer and Melvin Douglas, with a good supporting cast including Gail Patrick, Lee Bowman, Alan Mowbray, Connie Gilchrist, Norma Varden, Reginald Owen, and Marjorie Main.
Norma Shearer, with a blondish wig, plays Princess Victoria 'Vicki' Wilomirska who, when she gets excited, spouts outrageous Polish. At her engagement party (she is to marry the Lee Bowman character), she dances with Baron Nicholas Prax (Douglas) and they fall in love immediately. She breaks her engagement and marries the Baron.
The profession of these two is that of houseguests. They wander from place to place staying in the homes of socially ambitious people, usually Americans, who like the pedigree.
It's the usual break up to make up scenario.
Norma's big problem was that she couldn't get out of the '30s, and without her husband around, she couldn't choose films either. She obviously was concerned about her age and unfortunately, she had a right to - at 40, she was about 10 years past the age where most leading ladies in those days actually were leading ladies and not character actors. It's a shame, because she would have done so well in other films more appropriate for her.
This film has the same problem as "Her Cardboard Lover" - it came out at the wrong time, when this type of film had come and gone, and people were looking to more serious films or films that put the war into the story: "Mrs. Miniver," "The More the Merrier," "A Yank in the RAF," etc.
Norma Shearer was a hard-working, dedicated actress, but her ego got in the way of her final film choices. If only she had stopped with the wonderful "Escape" -- but she didn't.
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