IMDb RATING
6.6/10
2.4K
YOUR RATING
December, 1941. With no hope of relief or re-supply, a small band of United States Marines tries to keep the Japanese Navy from capturing their island base.December, 1941. With no hope of relief or re-supply, a small band of United States Marines tries to keep the Japanese Navy from capturing their island base.December, 1941. With no hope of relief or re-supply, a small band of United States Marines tries to keep the Japanese Navy from capturing their island base.
- Nominated for 4 Oscars
- 3 wins & 6 nominations total
Joyce Arleen
- Cynthia Caton
- (uncredited)
Hugh Beaumont
- Captain
- (uncredited)
Barbara Britton
- Sally Cameron
- (uncredited)
Hillary Brooke
- Girl at the Inn
- (uncredited)
James Brown
- Wounded Marine First Lieutenant
- (uncredited)
Don Castle
- Pvt. Cunkle
- (uncredited)
Featured reviews
This film begins with a USMC officer by the name of "Major Geoffrey Caton" (Brian Donlevy) arriving on Wake Island to take command of the garrison just weeks before the Japanese entry in World War 2. With him on the flight is a civilian contractor named "Shad McClosky" (Albert Dekker) who develops an immediate dislike for the major due primarily to McClosky's misconception that Major Caton wants to exercise command and control over him and his men. Regardless of that, the first thing Major Caton does is to begin preparing for war by having his men dig trenches and foxholes all around the island. Unfortunately, just hours after the sneak attack on Pearl Harbor, the Japanese bomb the Wake Island airfield and destroy all of the American fighters on the ground with only 4 surviving due to being airborne at the time. From here on out the Marines dig in and wait for the inevitable Japanese invasion. Now rather than reveal any more I will just say that even though this film took certain liberties with the facts, the overall details of the battle remained relatively accurate and played out exceptionally well on the screen which resulted in an Academy Award nomination for Best Picture. Likewise, William Bendix was also nominated for an Academy Award for his performance as "Private Aloysius K. 'Smacksie' Randall". In short, although this film certainly contained its share of creative licensing, it manages to entertain fairly well in its own right and for that reason I have rated it accordingly. Above average.
While nowadays this may seem quite indistinguishable from the many flagwavers rushed into production in its day, at the time WAKE ISLAND was very well received garnering 4 major Academy Award nominations (Best Film, Best Direction, Best Original Screenplay, Best Supporting Actor - William Bendix); true, the characters and situations are pretty stereotypical but even so, it is certainly well enough made and well-cast (Brian Donlevy, Macdonald Carey, Albert Dekker, Robert Preston, Walter Abel) to be remembered when WWII films are discussed. Once the Pearl Harbor attack gets underway, it becomes an engrossing and poignant depiction of men-in-war facing insurmountable odds; the downbeat ending was quite fresh at the time and seems to have led to a spate of similarly pessimistic WWII movies like BATAAN (1943), SAHARA (1943), THEY WERE EXPENDABLE (1945), etc.
It's 1942 and the war in the Pacific is still in doubt. Japan has taken the Philippines and is moving on the rocky atolls of the central Pacific. Wake is smack in the middle and of no real value except militarily as a stepping-stone to bigger prizes.
This Paramount production adds up to an expertly mounted flag waver. Sure, maybe the Japanese have taken the island, but viewers are treated to heroic resistance from the Marine defenders that's bound to rally a grim American home front. The battle scenes--air, water, and ground--are realistic as heck, location shots blending almost seamlessly with occasional sets. Then too, the set-up footage of what purports to be an island Marine base is convincing as heck. Clearly Paramount understood the significance of its production.
For old time movie buffs, it's a treat catching the likes of Bill Bendix, Preston Foster, and Brian Donlevy, the former two providing the flick's macho humor. But don't look for skirts, it's an all male cast, understandably. And except for the tricky Japanese diplomat in the first part, the enemy is not parodied, rather surprising given the circumstances. All in all, the 80+ minutes amounts to a first-rate tribute to American fighting spirit even under impossible odds. However, if you don't like movie bullets or explosions, steer clear.
This Paramount production adds up to an expertly mounted flag waver. Sure, maybe the Japanese have taken the island, but viewers are treated to heroic resistance from the Marine defenders that's bound to rally a grim American home front. The battle scenes--air, water, and ground--are realistic as heck, location shots blending almost seamlessly with occasional sets. Then too, the set-up footage of what purports to be an island Marine base is convincing as heck. Clearly Paramount understood the significance of its production.
For old time movie buffs, it's a treat catching the likes of Bill Bendix, Preston Foster, and Brian Donlevy, the former two providing the flick's macho humor. But don't look for skirts, it's an all male cast, understandably. And except for the tricky Japanese diplomat in the first part, the enemy is not parodied, rather surprising given the circumstances. All in all, the 80+ minutes amounts to a first-rate tribute to American fighting spirit even under impossible odds. However, if you don't like movie bullets or explosions, steer clear.
Calling this movie a propaganda film is no insult--it was released very shortly after the actual fall of Wake Islan and was an effective way to put a face on these doomed defenders and energize the people at home in the war effort. Since it was completed so quickly, the exact details of the final doomed days of the soldiers was a bit murky so the studio filled in the gaps with fictionalized accounts of this struggle.
The film begins just before December 7, 1941 and the island is in the process of being turned into a military base. Civilian engineers and soldiers cover the barren island and they are unaware that they were directly in harm's way. Soon, the troops on the island would face invasion and annihilation.
As I said, the individual accounts of heroism were fictionalized through the creation of some characters such as those played by William Bendix and Robert Preston (who seem like an old married couple with their banter) as well Albert Dekker (who, as usual, plays a loudmouth patriot), Brian Donlevy and Macdonald Carey. The acting was very effective even though by today's standards some of the stories seem a bit clichéd--they were perfect for the time.
While far from one of the very best war films made during WWII, it was better than average and is well worth a look. Excellent quality and a rousing script make for a very good film.
A final note because I am an aviation nut. I hated one part of the film--the aerial scenes were often bad, as monoplanes (with a single wing) often magically became biplanes in mid-air (with two wings). While I could forgive them making Japanese planes that looked nothing like the real thing, having them change so radically in mid-flight was unforgivable. Did they think the audiences wouldn't notice?
The film begins just before December 7, 1941 and the island is in the process of being turned into a military base. Civilian engineers and soldiers cover the barren island and they are unaware that they were directly in harm's way. Soon, the troops on the island would face invasion and annihilation.
As I said, the individual accounts of heroism were fictionalized through the creation of some characters such as those played by William Bendix and Robert Preston (who seem like an old married couple with their banter) as well Albert Dekker (who, as usual, plays a loudmouth patriot), Brian Donlevy and Macdonald Carey. The acting was very effective even though by today's standards some of the stories seem a bit clichéd--they were perfect for the time.
While far from one of the very best war films made during WWII, it was better than average and is well worth a look. Excellent quality and a rousing script make for a very good film.
A final note because I am an aviation nut. I hated one part of the film--the aerial scenes were often bad, as monoplanes (with a single wing) often magically became biplanes in mid-air (with two wings). While I could forgive them making Japanese planes that looked nothing like the real thing, having them change so radically in mid-flight was unforgivable. Did they think the audiences wouldn't notice?
This film was commenced before the battle finished. It tells how that small force of marines and civilian workers defended remote Wake Island for two weeks against the Japanese blitzkrieg early in the Pacific War.
Fictional names were used for characters, many of whom had real life counterparts especially Brian Donlevy as Major Caton (in reality, Major James Devereux). Other characters were inventions such as the bickering buddies played by Robert Preston and William Bendix.
Of course the filmmakers didn't know how the battle really ended because communication was cut, and the Japanese weren't working as technical advisors.
The scenes of the battle on the island were well staged although the film is a mixture of bathtub model effects, documentary footage of varying quality and every cliché Hollywood ever invented for military life.
Director John Farrow, Mia's father, was an Australian who joined the Royal Canadian Navy in 1939 on the outbreak of the war in Europe. He actually directed "Wake Island" while convalescing from illness. The film was released in August 1942 when he must have known that the fate of Australia hung in the balance.
The film exudes an iron-jawed heroic tone that 80 years later seems like typical Hollywood exaggeration. However those marines on Wake were as uncomplicatedly brave as the film depicts.
After Pearl Harbour, the Marine Corps expanded with the influx of thousands of highly motivated citizens, but the Wake Island garrison was made up of pre-war marines, professionals; being marines was their stock in trade. The defence of Wake (actually three islands: Wilkes, Peale and Wake) was remarkable, but if anything exemplifies the calibre of those men, it was what happened on Wilkes.
There is a line in 'Full Metal Jacket" when Gunnery Sergeant Hartman tells the recruits "The deadliest weapon in the world is a marine and his rifle".
The one hundred Japanese who landed on Wilkes may have agreed. Attacked by about half that number of marines led by Captain Wesley Platt, all the Japanese were killed through a combination of superb marksmanship and aggressive tactics. When Major Devereaux went around ordering his men to lay down their arms, Platt refused at first, exclaiming, "Marines don't surrender. Let us die right here". But he did obey the order; he was a marine after all.
The defenders didn't all die and most faced long years of harsh captivity. A brilliant documentary, "Wake Island: Alamo of the Pacific", told the true story through the eyes of veterans who returned to the island, a remarkable group of elderly men revealing the qualities of the marines who defended Wake.
In 1942 the film served a purpose. Today its importance could be that it will inspire people to find out what really happened, because history has a disturbing habit of repeating itself.
Fictional names were used for characters, many of whom had real life counterparts especially Brian Donlevy as Major Caton (in reality, Major James Devereux). Other characters were inventions such as the bickering buddies played by Robert Preston and William Bendix.
Of course the filmmakers didn't know how the battle really ended because communication was cut, and the Japanese weren't working as technical advisors.
The scenes of the battle on the island were well staged although the film is a mixture of bathtub model effects, documentary footage of varying quality and every cliché Hollywood ever invented for military life.
Director John Farrow, Mia's father, was an Australian who joined the Royal Canadian Navy in 1939 on the outbreak of the war in Europe. He actually directed "Wake Island" while convalescing from illness. The film was released in August 1942 when he must have known that the fate of Australia hung in the balance.
The film exudes an iron-jawed heroic tone that 80 years later seems like typical Hollywood exaggeration. However those marines on Wake were as uncomplicatedly brave as the film depicts.
After Pearl Harbour, the Marine Corps expanded with the influx of thousands of highly motivated citizens, but the Wake Island garrison was made up of pre-war marines, professionals; being marines was their stock in trade. The defence of Wake (actually three islands: Wilkes, Peale and Wake) was remarkable, but if anything exemplifies the calibre of those men, it was what happened on Wilkes.
There is a line in 'Full Metal Jacket" when Gunnery Sergeant Hartman tells the recruits "The deadliest weapon in the world is a marine and his rifle".
The one hundred Japanese who landed on Wilkes may have agreed. Attacked by about half that number of marines led by Captain Wesley Platt, all the Japanese were killed through a combination of superb marksmanship and aggressive tactics. When Major Devereaux went around ordering his men to lay down their arms, Platt refused at first, exclaiming, "Marines don't surrender. Let us die right here". But he did obey the order; he was a marine after all.
The defenders didn't all die and most faced long years of harsh captivity. A brilliant documentary, "Wake Island: Alamo of the Pacific", told the true story through the eyes of veterans who returned to the island, a remarkable group of elderly men revealing the qualities of the marines who defended Wake.
In 1942 the film served a purpose. Today its importance could be that it will inspire people to find out what really happened, because history has a disturbing habit of repeating itself.
Storyline
Did you know
- TriviaParamount began work on this movie before the real-life battle for Wake Island was over.
- GoofsDuring the aerial battle at around 38 minutes one of the island defenders is shown shooting down a biplane. Biplanes would have been phased out as tactical weapons long before the war began.
- Quotes
Pvt. Aloysius K. 'Smacksie' Randall: Boys, the honeymoon's over. From now on you're marines.
- ConnectionsFeatured in Paramount Victory Short No. T2-3: The Price of Victory (1942)
- SoundtracksMarine Hymn
(uncredited)
Music by Jacques Offenbach ("Gendarme's Duet") 1867
Heard under opening credirs
- How long is Wake Island?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Volveremos a la isla Wake
- Filming locations
- Salt Lake City, Utah, USA(air scenes of Japanese attack planes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $826,061 (estimated)
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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