An English woman and her daughter enlist the aid of a cowboy to try and get their hardy hornless bull to mate with the longhorns of Texas, but have to overcome greedy criminals and the natural elements.
A wealthy old man dies and leaves his holdings--including a brothel and a gambling den, racing greyhounds and a sleazy bar--to his eccentric niece Clara. Clara vows to "clean up" her new ... See full summary »
Sergeant Dixie Smith has more raw recruits to turn into Marines, if he can. Among them is cocky casanova Chris Winters, son of an officer, who's just tried to "mash" Mary Carter, a major's niece. Once on base, he finds Mary's a nurse and an off-limits officer. Does this stop him? Of course not. But his attitude problem soon puts him in a position where he must redeem himself, with December 7, 1941 fast approaching.Written by
Rod Crawford <firstname.lastname@example.org>
In the finale John Payne is trying to change clothes while marching with his Marine Corps platoon. He later said that trying to remove and put on his trousers for this scene was the hardest part of the movie. See more »
In the film, Smith's character is often addressed as "Sergeant" or even sometimes "Sarge". Smith wears three chevrons and two rockers of a Gunnery Sergeant. In the Marine Corps, NCO's are always addressed by their full rank. Thus, he would be addressed by all as "Gunnery Sergeant", or -if he allowed it- "Gunny". See more »
Don't be that way come on let's go
Sgt. Dixie Smith:
Sergeant, can you explain to private Winters that as a Navy Nurse I hold the rank equivalent to a Lieutenant and at all times should be address in the same matter as a commissioner officer
and he should state his business in a briefly and quickly matter as possible.
See more »
This plot of this film- selfish rich boy joins the armed forces and by turns is converted into a red-blooded selfless team player- is often called cliche'. However, you have to bear in mind that it wasn't at the time it was made; It was one of the genre of plots that became cliche' latter (In fact, it is basically a color remake of "I Wanted Wings"...a much better film IMHO... substituting the Marines for the Air Corps.)
But what it does have is a great cast, great production values and the distinction of the first pairing the lovely Maureen O'Hara, stunning in beautiful early Technicolor, and John Payne. Arguably this is one of the great, if minor, pairings of the 40's ("Sentimental Journey", "Miracle on 34th Street", etc.) that culminated in a return to the Marine/Tripoli theme: In 1950 the pair would almost single-handedly capture the city in "Tripoli".
Is it great cinema? Nah...but it's a fun picture to watch for buffs.
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