When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
A dead World War II bomber pilot named Pete Sandidge, becomes the guardian angel of another pilot, Ted Randall. He guides Ted through battle and helping him to romance his old girlfriend, despite her excessive devotion to Sandidge's memory.
Sergeant Dixie Smith has more raw recruits to turn into Marines, if he can. Among them is cocky casanova Chris Winters, son of an officer, who's just tried to "mash" Mary Carter, a major's niece. Once on base, he finds Mary's a nurse and an off-limits officer. Does this stop him? Of course not. But his attitude problem soon puts him in a position where he must redeem himself, with December 7, 1941 fast approaching.Written by
Rod Crawford <firstname.lastname@example.org>
It is full daylight at 5:00 a.m.. By the angle of the shadow it is approximately 10:00 a.m. See more »
Don't be that way come on let's go
Sgt. Dixie Smith:
Sergeant, can you explain to private Winters that as a Navy Nurse I hold the rank equivalent to a Lieutenant and at all times should be address in the same matter as a commissioner officer
and he should state his business in a briefly and quickly matter as possible.
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This plot of this film- selfish rich boy joins the armed forces and by turns is converted into a red-blooded selfless team player- is often called cliche'. However, you have to bear in mind that it wasn't at the time it was made; It was one of the genre of plots that became cliche' latter (In fact, it is basically a color remake of "I Wanted Wings"...a much better film IMHO... substituting the Marines for the Air Corps.)
But what it does have is a great cast, great production values and the distinction of the first pairing the lovely Maureen O'Hara, stunning in beautiful early Technicolor, and John Payne. Arguably this is one of the great, if minor, pairings of the 40's ("Sentimental Journey", "Miracle on 34th Street", etc.) that culminated in a return to the Marine/Tripoli theme: In 1950 the pair would almost single-handedly capture the city in "Tripoli".
Is it great cinema? Nah...but it's a fun picture to watch for buffs.
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