A gentleman thief and a lady pickpocket join forces to con a beautiful perfume company owner. Romantic entanglements and jealousies confuse the scheme.
Director:
Ernst Lubitsch
Stars:
Miriam Hopkins,
Kay Francis,
Herbert Marshall
Two employees at a gift shop can barely stand each other, without realizing that they are falling in love through the post as each other's anonymous pen pal.
Director:
Ernst Lubitsch
Stars:
Margaret Sullavan,
James Stewart,
Frank Morgan
During WWI, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are eventually sent to a seemingly inescapable fortress.
In occupied Poland during WWII, a troupe of ham stage actors (led by Joseph Tura and his wife Maria) match wits with the Nazis. A spy has information which would be very damaging to the Polish resistance and they must prevent it's being delivered to the Germans.Written by
Ken Yousten <kyousten@bev.net>
Colonel Ehrhardt's adjutant is Capt. Schultz. Sig Ruman, who plays Ehrhardt, played Sergeant Schultz in Stalag 17 (1953). See more »
Goofs
In the scene early in the movie when Carole Lombard is arguing with the play director about her dress, they begin onstage, in the Gestapo office set. At one point the director switches to a closer shot and they are suddenly backstage, facing in entirely different directions than they were onstage. See more »
Quotes
[first lines]
Narrator:
Lubinski, Kubinski, Lominski, Rozanski, and Poznanski. We're in Warsaw, the capital of Poland. It's August 1939. Europe is still at peace. At the moment, life in Warsaw is going on as normally as ever. But, suddenly something seems to have happened! Are those Poles seeing a ghost? Why does this car suddenly stop? Everybody seems to be staring in one direction. People seem to be frightened, even terrified! Some flabbergasted! Can it be true? It must be true! No doubt! The man with ...
See more »
Alternate Versions
In Poland the movie edited in a brief introduction by Polish actor Kazimierz Rudzki who assure the audience that the movie was done with best intentions by their "American friends", as the time it screened in Poland many people still lived in trauma from the World War II events and some could find a comedy about the German invasion of Poland in poor taste, offensive or hard to swallow. See more »
Polonaise in A major, Op. 40, No. 1, 'Military'
(1838) (uncredited)
Written by Frédéric Chopin
Orchestral arrangement by Aleksandr Glazunov
Heard during the opening and closing credits See more »
This movie proves that comedy can be sublime. At a time when the gods are crazy, this movie swims with the current, seeking to outdo their craziness. That's why it's also very touching. The outcome of the craziness was unknown at the time. That also makes this film daring. Whether intentionally or not, the film implies that Hitler himself was a Hitler-impersonator, that Hitler is a kind of unattainable ideal, a Platonic idea of pure evil. A similarly sublime and bold and touching film made during another craziness (not twenty years thereafter, as its more applauded cousins!) is "THE GAY DECEIVERS" (1969). It too dances with the gods, and breaks your heart as it makes you laugh.
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This movie proves that comedy can be sublime. At a time when the gods are crazy, this movie swims with the current, seeking to outdo their craziness. That's why it's also very touching. The outcome of the craziness was unknown at the time. That also makes this film daring. Whether intentionally or not, the film implies that Hitler himself was a Hitler-impersonator, that Hitler is a kind of unattainable ideal, a Platonic idea of pure evil. A similarly sublime and bold and touching film made during another craziness (not twenty years thereafter, as its more applauded cousins!) is "THE GAY DECEIVERS" (1969). It too dances with the gods, and breaks your heart as it makes you laugh.