Joseph and Maria Tura operate and star in their own theater company in Warsaw. Maria has many admirers including a young lieutenant in the Polish air force, Stanislav Sobinski. When the Nazis invade Poland to start World War II, Sobinski and his colleagues flee to England while the Turas find themselves now having to operate under severe restrictions, including shelving a comical play they had written about Adolf Hitler. In England meanwhile, Sobinski and his friends give Professor Siletski - who is about to return to Poland - the names and addresses of their closest relatives so the professor can carry messages for them. When it's learned that Siletski is really a German spy, Sobinski parachutes into Poland and enlists the aid of the Turas and their fellow actors to get that list back.Written by
After the shooting of this film was finished, Carole Lombard told many people that this film was the happiest experience of her career from start to finish. See more »
When Professor Siletsky (Stanley Ridges) first sees Maria out of his apartment, the door doesn't close properly and comes slightly ajar, producing what appears to be a momentary hesitation from Ridges before he walks away. See more »
Lubinski, Kubinski, Lominski, Rozanski, and Poznanski. We're in Warsaw, the capital of Poland. It's August 1939. Europe is still at peace. At the moment, life in Warsaw is going on as normally as ever. But, suddenly something seems to have happened! Are those Poles seeing a ghost? Why does this car suddenly stop? Everybody seems to be staring in one direction. People seem to be frightened, even terrified! Some flabbergasted! Can it be true? It must be true! No doubt! The man with ...
See more »
In Poland the movie edited in a brief introduction by Polish actor Kazimierz Rudzki who assure the audience that the movie was done with best intentions by their "American friends", as the time it screened in Poland many people still lived in trauma from the World War II events and some could find a comedy about the German invasion of Poland in poor taste, offensive or hard to swallow. See more »
Comedies rarely stand the test of time - this one does: one of the funniest films I have ever seen.
When I was 16 (20 years ago, sigh...), this was re-released for a short time in a local art-house cinema, and my father insisted I go watching it with a friend. Well, teenagers don't normally line up to see 50 year old black and white comedies, but - man, was I glad I did!
This is a pitch black comedy that feels as fresh today as it must have then; in fact, this must have been kind of a shock in 1942. There are no cheesy clean characters or cringe-worthy lines: this is a firework of fast, witty dialogue with an edge and the sexiest, cleverest (and most morally ambiguous) female protagonist I have ever seen in a film before the "New Hollywod" era.
Even the structure and the way the story evolves are very modern; there are flashbacks and twists and turns that might be very common in contemporary films but must have seemed almost "avant-garde" at the time.
The biggest fun, of course, is how Lubitsch takes the pi** out of Hitler's blind, fanatic followers. I don't believe the Nazis have ever been mocked better than in this comedy masterpiece (and I only hope old Adolf has seen it, too). Mel Brooks' remake is not bad, but the original is simply killer.