Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time. He goes back to the 19th Century and takes pictures of the place. Leopold -- a man living in the 1870s -- is puzzled by Stuart's tiny camera, follows him back through the gap, and they both ended up in the present day. Leopold is clueless about his new surroundings. He gets help and insight from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters.Written by
Rosemea D.S. MacPherson
Hugh Jackman and Liev Schreiber have both appeared in films based on Marvel Comics. See more »
Goofs
When Leopold is telling Hector about the Pirate King, he gets the plot of The Pirates of Penzance wrong. The Pirate King didn't fall in love with one of the Major General's daughters; rather, Frederick, the apprentice pirate, fell in love with her. See more »
Quotes
[first lines]
Roebling:
Time. Time, it has been proposed, is the fourth dimension. And yet, for mortal man, time has no dimension at all. We are like horses with blinders, seeing only what lies before us. Forever guessing the future and fabricating the past.
[applause]
Leopold:
Brilliant.
Otis:
Quite right, Your Grace.
Roebling:
How, you ask, can we break these shackles, and live not in the moment, but in the glorious expanse of time continued? Listen, and I shall tell you. The secret lies in the enduring power of our achievements, ...
[...] See more »
Crazy Credits
In 1852, Elisha Graves Otis invented the safety brake for a lifting platform. One year later in 1853, he founded the Otis Elevator Company in Yonkers, New York. The Otis Elevator Company is a wholly owned subsidiary of United Technologies Corporation. See more »
Alternate Versions
The following scenes were cut from the film just a few days before the release:
References suggesting that Kate has a genetic relationship to Stuart
a scene where Ryan appears in the background of a 19th-century party
a cameo by director James Mangold where he plays a director whose film is being changed to meet the demands of a test screening
From the very beginning, with that vintage sepia scenery of 1876 New York, to the very end, where Sting delight us with that touching performance of 'Until' (which Sting himself confessed wrote being transported by the romanticism of the movie); this movie drives you through your heart, your mind, your soul, unwinding deep feelings that our day-to-day life bury inside us, but that are so immense that cannot be extinguish, even with the cold routine in which we dwell.
Using time leap as a metaphor between the way we live in present times and all those little things that we long so badly but that we ourselves deny or just give up in the search, the story open a parenthesis in the crazy rhythm of the today New York and involve the characters -and ourselves- in a mixture of true romanticism and happiness that taste like a virgin flavor in our stone lips. Facing issues like post-breaking relationships and career success versus personal life success, the plot fill us with joy and laughter that makes us even cry when we realize all that we have at our fingertips and that we miss.
The acting was very natural and the five main actors deliver the characters very well. Particularly, JJ (Bradley Whitford) has a very well defined personality. Meg give us her "ugly duck" charming prettiness that is already her trademark and Hugh is perfect for the role: Tall, handsome, gallant, romantic...
Definitely, one of the best movies (if not the one) I've seen this year -at least. Go and see it, you'll enjoy it !
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From the very beginning, with that vintage sepia scenery of 1876 New York, to the very end, where Sting delight us with that touching performance of 'Until' (which Sting himself confessed wrote being transported by the romanticism of the movie); this movie drives you through your heart, your mind, your soul, unwinding deep feelings that our day-to-day life bury inside us, but that are so immense that cannot be extinguish, even with the cold routine in which we dwell.
Using time leap as a metaphor between the way we live in present times and all those little things that we long so badly but that we ourselves deny or just give up in the search, the story open a parenthesis in the crazy rhythm of the today New York and involve the characters -and ourselves- in a mixture of true romanticism and happiness that taste like a virgin flavor in our stone lips. Facing issues like post-breaking relationships and career success versus personal life success, the plot fill us with joy and laughter that makes us even cry when we realize all that we have at our fingertips and that we miss.
The acting was very natural and the five main actors deliver the characters very well. Particularly, JJ (Bradley Whitford) has a very well defined personality. Meg give us her "ugly duck" charming prettiness that is already her trademark and Hugh is perfect for the role: Tall, handsome, gallant, romantic...
Definitely, one of the best movies (if not the one) I've seen this year -at least. Go and see it, you'll enjoy it !