A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time. He goes back to the 19th Century and takes pictures of the place. Leopold -- a man living in the 1870s -- is puzzled by Stuart's tiny camera, follows him back through the gap, and they both ended up in the present day. Leopold is clueless about his new surroundings. He gets help and insight from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters.Written by
Rosemea D.S. MacPherson
When Stuart falls down the elevator shaft, he is sloppily dressed in a casual modern dress shirt, as it is the morning in the present, however, when he is brought out to the ambulance he is dressed in the outfit that he used to go back to 1876. See more »
Time. Time, it has been proposed, is the fourth dimension. And yet, for mortal man, time has no dimension at all. We are like horses with blinders, seeing only what lies before us. Forever guessing the future and fabricating the past.
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In 1852, Elisha Graves Otis invented the safety brake for a lifting platform. One year later in 1853, he founded the Otis Elevator Company in Yonkers, New York. The Otis Elevator Company is a wholly owned subsidiary of United Technologies Corporation. See more »
The following scenes were cut from the film just a few days before the release:
References suggesting that Kate has a genetic relationship to Stuart
a scene where Ryan appears in the background of a 19th-century party
a cameo by director James Mangold where he plays a director whose film is being changed to meet the demands of a test screening
For those whose comments show a serious lack of humour, get a life! Why find picky details to criticise when this movie is here to enjoy! Those not hung up with identifying finer points of historical inaccuracy, go ahead and enjoy the movie. It is a comedy, not a PhD thesis. A good 2 hours of fun (but I must admit Meg Ryan's hair is a bit scruffy)
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