This package for comedy and the musical numbers has Luke Brown being drugged by the gangster operators of the swank Boathouse Inn; most notably Roxie a sexy pickpocket. Brown has ...
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This package for comedy and the musical numbers has Luke Brown being drugged by the gangster operators of the swank Boathouse Inn; most notably Roxie a sexy pickpocket. Brown has information that Chow Brewster and his cousin have inherited $3,000,000. The owner of the Inn intends to keep Brown under wraps until they can drive Chow to suicide. He will then marry Chow's cousin before she finds out about her inheritance.Written by
This film's earliest documented telecasts took place in Altoona Tuesday 19 June 1956 on WFBG (Channel 10), in San Francisco Thursday 28 June 1956 on KPIX (Channel 5), in Philadelphia Wednesday 4 July 1956 on WFIL (Channel 6), in Detroit Tuesday 4 September 1956 on WJBK (Channel 2), in New York City Tuesday 25 September 1956 on WOR (Channel 9), in Pittsburgh Monday 10 December 1956 on KDKA (Channel 2), and in Cincinnati Saturday 22 December 1956 on WLW-T (Channel 5). See more »
I really wanted to enjoy this seldom seen little RKO musical, directed by Edward Sutherland, starring Bert Lahr, Buddy Ebsen, Patsy Kelly, Kings Sisters, Alvino Rey & His Orchestra. But it didn't dazzle me as much as I wanted to. In spite of the nice, freewheeling songs, "Sing Your Worries Away" feels oddly flustered or clumsy.
It mainly works as a so-so vehicle for Bert Lahr and his zany jokes which are painstakingly obvious and labored. If you can stand the jokes, then the movie may be eminently watchable. Lahr plays a happy-go-lucky composer, Chow Brewster, who inherits $3,000,000 at a Boathouse Inn, where a crook (Sam Levene) and his gang drive Lahr to commit suicide so they can grab the money. Patsy Kelly provides nice supporting role as the eccentric hotel worker; Buddy Ebsen is very entertaining in his part as the friend of the slain victim. We also see some interesting appearances by June Havoc & Margaret Dumont to display their inimitable character traits.
For me, the high point is the rendition of the title number by the King Sisters at the hotel, and then Ebsen exuberantly dances with one of the sisters. It's a joyous little moment, but mostly the movie is a tedious affair.
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