Wellington Holmes, a timid and very shy horticulturist, heads for Big Bluff. When the stagecoach is held up by Buckskin Bill and his men, he coincidentally knocks out three of them earning ...
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Sally was an orphan who got her name from the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing and has been practicing since. ... See full summary »
John Francis Dillon
Joe E. Brown
Country bumpkin Elmer Kane joins the Chicago Cubs as the greatest hitter in baseball. His skill with a bat takes the team to the World Series, but on the way to the championship he has to deal with gamblers and crooked pitchers.
Joan Daley (Joan Davis), a New York booking/press agent, attempts to recruit two local stand-ins, Jinx Terry (Jinx Falkenburg) and Lois Morgan (Joan Woodbury), when the Cuban sister-act, ... See full summary »
John is a timid student who works at the University Book Store. He is studying to be a botanist and has a secret crush on the lovely Julia. One day, one of his letters gets accidentally ... See full summary »
Wellington Holmes, a timid and very shy horticulturist, heads for Big Bluff. When the stagecoach is held up by Buckskin Bill and his men, he coincidentally knocks out three of them earning himself the unwanted job, as Marshall of Big Bluff. After escaping Big Bluff, disguised as a woman, the stagecoach is again held up by Buckskin and he, Elena Montoya and her father are made prisoners. He escapes again and when Buckskin arrives in town he again coincidentally overpowers the criminals. Having been previously masked, Buckskin now claims to be Buckskin's enemy and the residents of Big Bluff believe him. They release him and offer him the reward for leading Wellington to Buckskin's hideout. So Wellington and Elena with the ransom money for her father, but no posse, head out to bring in Buckskin. The law is kept & all of the criminals are successfully captured, brought to the county's prison and are put behind bars.Written by
Maurice VanAuken <email@example.com>
Joe E. Brown made some fine comedies in the early 1930s at Warners. By the end of the decade, he had slipped by making some cheap independent features for David Loew and then making some equally cheap outings for Columbia. Directed by Abbott and Costello regular Charles Barton, this Columbia B film is just another in an endless parade of western spoofs. Brown is teamed with the underrated Fritz Feld, but there is no chemistry between them. At times, Feld is forced to take the role of Brown's straight man and he is quite uncomfortable in this capacity. Brown spends a fair share of screen time in drag; Bert Wheeler is more effective in this type of comedy. There are some interesting glimpses of young Lloyd Bridges and Forrest Tucker in supporting roles. All in all, pretty disappointing.
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