7.2/10
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148 user 56 critic

Saboteur (1942)

PG | | Thriller, War | 24 April 1942 (USA)
An aircraft factory worker goes on the run after being wrongly accused of starting a fire that killed his best friend.

Director:

Alfred Hitchcock

Writers:

Peter Viertel (original screen play), Joan Harrison (original screen play) | 1 more credit »
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Priscilla Lane ... Patricia (Pat) Martin
Robert Cummings ... Barry Kane
Otto Kruger ... Charles Tobin
Alan Baxter ... Freeman
Clem Bevans ... Neilson
Norman Lloyd ... Frank Fry
Alma Kruger ... Mrs. Henrietta Sutton
Vaughan Glaser Vaughan Glaser ... Philip Martin aka Mr. Miller (as Vaughan Glazer)
Dorothy Peterson ... Mrs. Mason
Ian Wolfe ... Robert
Frances Carson Frances Carson ... Society Woman
Murray Alper ... Truck Driver
Kathryn Adams ... Mrs. Brown -- Young Mother
Pedro de Cordoba ... Bones - Circus Troupe
Billy Curtis ... Midget - Circus Troupe
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Storyline

Los Angeles aircraft worker Barry Kane evades arrest after he is unjustly accused of sabotage. Following leads, he travels across the country to New York City trying to clear his name by exposing a gang of fascist-supporting saboteurs led by apparently respectable Charles Tobin. Along the way, he involves Pat Martin, eventually preventing another major act of sabotage. They finally catch up with Frank Frye, the man who actually committed the act of sabotage at the aircraft factory. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Unmasking the man behind your back! See more »

Genres:

Thriller | War

Certificate:

PG | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

24 April 1942 (USA) See more »

Also Known As:

Cinquième colonne See more »

Filming Locations:

Owens Lake, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Sir Alfred Hitchcock wanted Gary Cooper or Joel McCrea for the lead role. Cooper wasn't interested in doing a thriller. McCrea wanted to work with Hitchcock again, but was unavailable. So the role finally went to Robert Cummings. See more »

Goofs

While at Deep Springs Ranch, when Barry Kane is playing catch with baby Susie, the position of the balls on the seat change positions in between shots. See more »

Quotes

Mac, Truck Driver: I've been thinkin' for long time I'm gonna get out of this truckin' game.
Barry Kane: Why don't you?
Mac, Truck Driver: One of my neighbors told my wife it's stylish to eat three meals a day.
See more »

Crazy Credits

Rather than finishing with "The End", the word "Finis" appears. This is perhaps an allusion to the fall of France, which is referred to in Pat's conversation with Fry inside the Statue of Liberty. See more »

Connections

Featured in The Pervert's Guide to Cinema (2006) See more »

Soundtracks

Boogie Woogie Bugle Boy
(uncredited)
Written by Don Raye and Hugh Prince
[Instrumental version heard coming from Mrs. Mason's neighbors' house.]
See more »

Frequently Asked Questions

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User Reviews

 
A Caravan Full of Freaks - One of the master's forgotten Gems
23 May 2002 | by CWessonSpeaksSee all my reviews

NO SPOILERS!!

After Hitchcock's successful first American film, Rebecca based upon Daphne DuMarier's lush novel of gothic romance and intrigue, he returned to some of the more familiar themes of his early British period - mistaken identity and espionage. As the U.S. settled into World War II and the large scale 'war effort' of civilians building planes, weaponry and other necessary militia, the booming film entertainment business began turning out paranoid and often jingoistic thrillers with war time themes. These thrillers often involved networks of deceptive and skilled operators at work in the shadows among the good, law abiding citizens. Knowing the director was at home in this espionage genre, producer Jack Skirball approached Hitchcock about directing a property he owned that dealt with corruption, war-time sabotage and a helpless hero thrust into a vortex of coincidence and mistaken identity. The darker elements of the narrative and the sharp wit of literary maven Dorothy Parker (during her brief stint in Hollywood before returning to her bohemian roots in NYC) who co-authored the script were a perfect match for Hitchcock's sensibilities.

This often neglected film tells the story of the unfortunate 25 year old Barry Kane (Robert Cummings) who, while at work at a Los Angeles Airplane Factory, meets new employee Frank Frye (Norman Lloydd) and moments later is framed for committing sabotage. Fleeing the authorities who don't believe his far-fetched story he meets several characters on his way to Soda City Utah and finally New York City. These memorable characters include a circus caravan with a car full of helpful 'freaks' and a popular billboard model Patricia Martin (Priscilla Lane) who, during the worst crisis of his life as well as national security, he falls madly in love with! Of course in the land of Hitchcock, Patricia, kidnapped by the supposed saboteur Barry, falls for her captor thus adding romantic tension to the mix.

In good form for this outing, Hitchcock brews a national network of demure old ladies, average Joes, and respectable businessmen who double as secret agent terrorists that harbor criminals, pull guns and detonate bombs to keep things moving. It's a terrific plot that takes its time moving forward and once ignited, culminates in one of Hitchcock's more memorable finales. Look for incredibly life like NYC tourist attractions (all of which were recreated by art directors in Hollywood due to the war-time 'shooting ban' on public attractions). While Saboteur may not be one of Hitchcock's most well known films, it's a popular b-movie that is certainly solid and engaging with plenty of clever plot twists and as usual - terrific Hitchcock villains. Remember to look for Hitchcock's cameo appearance outside a drug store in the second half of the film. Hitchcock's original cameo idea that was shot (him fighting in sign language with his 'deaf' wife) was axed by the Bureau of Standards and Practices who were afraid of offending the deaf!


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