A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
Los Angeles aircraft worker Barry Kane evades arrest after he is unjustly accused of sabotage. Following leads, he travels across the country to New York City trying to clear his name by exposing a gang of fascist-supporting saboteurs led by apparently respectable Charles Tobin. Along the way, he involves Pat Martin, eventually preventing another major act of sabotage. They finally catch up with Frank Frye, the man who actually committed the act of sabotage at the aircraft factory.Written by
Overall, this is entertaining and odd film. Don't try to make sense of it. There are more holes in the story than a computer could keep up with, but Robert Cummings and a cast of minor characters are mostly fun to watch in this "Fugitive"-like story.
Unlike the popular TV show and then 1993 movie, this fugitive isn't looking for a one-armed man, but a two-armed Nazi saboteur by the the name of "Frank Fry." Cummings ("Barry Kane") gets blamed when a defense plant blows up in Los Angeles and goes on the lam looking for the man who did it (Fry) to clear his name.
The first 40 minutes or so are very tense and interesting. Then Priscilla Lane ("Pat Martin") enters the story, and it starts to bog down a bit with some sappy dialog. Director Alfred Hitchcock often did that with his female characters, to the point I wonder if he had a clue how woman talked. Lane's character here was a little lame.
Actually, the villains played by Otto Kruger ("Charles Tobin") and Norman Lloyd ("Frank Fry") were the best, in my opinion......just fascinating. Kruger's acting and dialog was especially good.
If you haven't seen this film but saw Hitchcock's well-known "North By Northwest," you'll chuckle at the ending and really enjoy it. Instead of a climactic scene at Mount Rushmore, here we have a memorable last 10 minutes at the State Of Liberty. As usual, Hitchcock camera angles are great and fun to view.
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