A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
Los Angeles aircraft worker Barry Kane evades arrest after he is unjustly accused of sabotage. Following leads, he travels across the country to New York City trying to clear his name by exposing a gang of fascist-supporting saboteurs led by apparently respectable Charles Tobin. Along the way, he involves Pat Martin, eventually preventing another major act of sabotage. They finally catch up with Frank Frye, the man who actually committed the act of sabotage at the aircraft factory.Written by
Alfred Hitchcock: A man visiting the newsstand in front of the drug store where Barry Kane is taken upon arriving in New York City. See more »
When the two detectives hold Barry Kane at Tobin's ranch, the detective on Barry's left has his arm by his side. The next mid-shot shows the detective holding Barry's arm with both hands. See more »
[to Barry Kane]
Very pretty speech - youthful, passionate, idealistic. Need I remind you that you are the fugitive from justice, not I. I'm a promient citizen, widely respected. You are an obscure workman wanted fro committing an extremely unpopular crime. Now which of us do you think the police will believe?
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Rather than finishing with "The End", the word "Finis" appears. This is perhaps an allusion to the fall of France, which is referred to in Pat's conversation with Fry inside the Statue of Liberty. See more »
Hitchcock made at least 11 films about the ordinary man, wrongly accused, on the run (sometimes really running, sometimes not) to prove his innocence in a situation beyond his control, the first one being "The 39 Steps", which really made him popular in Great Britain. It really is his signature theme.
Others include "Young and Innocent", "Saboteur", "Spellbound", "Stage Fright", "Strangers on a Train", "I Confess", "To Catch a Thief", "The Wrong Man", "North by Northwest", and finally "Frenzy". "Saboteur" starts Robert Cummings as Barry Kane, a wartime aircraft plant worker during wartime accused of murdering his co-worker and best friend during an act of sabotage on the plant. He meets up with model Patricia Martin, played by actress Priscilla Lane, during his run from the law, and later, of course, the various Nazi/Fascist sympathizers along the way.
"Saboteur" is mainly like "The 39 Steps", even including similar plot devices such as handcuffs, the blonde who doesn't trust the main character in the beginning, a race across the country (in one case London to Scotland, and in the other California to New York), and meeting the "colorful" locals along the way. And so, just like "The Man Who Knew Too Much", I believe this is an American remake of one of Hitchcock's earlier works.
I think Robert Cummings was chosen because he comes across as a very ordinary American, sort of an "everyman" with whom the audience can identify. I like Priscilla Lane because her character is a more involved in the action than Madeline Carroll in "The 39 Steps" and Ruth Roman in "Strangers on a Train". As mentioned elsewhere, though, Otto Kruger steals the show as the villain. I also liked Vaughan Glaser's performance as the blind uncle; his lines are great. There are some funny touches all along the way for some comic relief, such as road signs featuring Priscilla Lane's character on them, and circus sideshow performers, and the truck driver, Murray Alper. Contrary to other opinions here, there aren't too many characters who believe Barry Kane's innocence immediately.
There are some slow parts, mainly when the action first moves to New York, but it picks up quickly when the last planned act of the fifth columnists gets underway.
It's one of my favorite films from Hitchcock (I put it in my top 5), especially in these days of the new war on terrorism. I think it hits home.
It makes you think, "Could my coworker be involved in something evil?" In fact, one of the movie posters for "Saboteur" proclaimed "Watch Out for the Man behind your back!" Imagine how that played in the mind of adults during the Second World War.
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