At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates ... See full summary »
Jeff and Turkey, two wild and crazy guys adrift on a raft in the Mediterranean, are cast away on a desert shore and hop a convenient camel to an Arabian Nights city where Turkey soon finds himself sold as a slave...to luscious Princess Shalmar of Karameesh. Naturally, Jeff would like to rescue Turkey from this "dire" fate, even if it means taking his place! But they haven't figured on virile desert chieftain Mullay Kassim, who has designs on the princess himself...Written by
Rod Crawford <email@example.com>
The scene where the camel spits in Turkey's (Bob Hope's) face wasn't planned. The camel did it of its own accord while the cameras were rolling, and Hope's recoil and Bing Crosby's reaction were so funny that it was left in the final cut of the film. See more »
When Jeff agrees to marry Princess Shalmar, Orville tells Jeff that he will have the happiest week of his life. Although Orville has discovered that marrying her is certain to result in death, he has not been told the specific expected lifespan. See more »
How do you figure on paying for all this?
What are you, scared? You got red blood, ain't you?
Yeah, but I don't want to get it all over strangers.
Go ahead, eat up, eat up son. I'll think of something.
These guys don't monkey around, they got knives, they're liable to try and get the food back the hard way.
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Zany fun, pure old-fashioned escapism with a string of gags for good measure...
This is a typical ROAD movie with the boys chasing Lamour as the audience waits to see who Dotty will wind up with. The script is pure escapist, light-hearted stuff and everyone seems to enjoy the tongue in cheek style of all the gags.
Bing is his usual affable self, tossing off a few songs in the Crosby manner--the best of which is "Moonlight Becomes You". Dorothy Lamour is at her peak of lush beauty as the princess and manages to keep a straight face while the boys cut capers. Bob Hope shines in a part totally suited to his comic skills with one-liners and double takes that keep the high spirits flowing.
If you're a fan of ROAD movies, you'll definitely enjoy this one--although my own personal favorite is still ROAD TO UTOPIA.
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