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The Pride of the Yankees (1942)

Approved | | Biography, Drama, Romance | 5 March 1943 (USA)
The story of the life and career of famed baseball player Lou Gehrig.

Director:

Sam Wood

Writers:

Jo Swerling (screenplay), Herman J. Mankiewicz (screenplay) | 2 more credits »
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Won 1 Oscar. Another 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gary Cooper ... Lou Gehrig
Teresa Wright ... Eleanor Gehrig
Babe Ruth ... Babe Ruth
Walter Brennan ... Sam Blake
Dan Duryea ... Hank Hanneman
Elsa Janssen ... Mom Gehrig
Ludwig Stössel ... Pop Gehrig (as Ludwig Stossel)
Virginia Gilmore ... Myra
Bill Dickey Bill Dickey ... Bill Dickey
Ernie Adams ... Miller Huggins
Pierre Watkin ... Mr. Twitchell
Harry Harvey ... Joe McCarthy
Bob Meusel Bob Meusel ... Robert W. Meusel (as Robert W. Meusel)
Mark Koenig Mark Koenig ... Mark Koenig
Bill Stern Bill Stern ... Bill Stern
Edit

Storyline

Biopic traces the life of Lou Gehrig, famous baseball player who played in 2130 consecutive games before falling at age 37 to ALS, a deadly nerve disease which now bears his name. Gehrig is followed from his childhood in New York until his famous 'Luckiest Man' speech at his farewell day in 1939. Written by Jerry Milani <jmilani@ix.netcom.com>

Plot Summary | Plot Synopsis

Taglines:

The Crowd Worshipped Him... One Woman Understood Him! See more »


Certificate:

Approved | See all certifications »
Edit

Details

Country:

USA

Language:

English

Release Date:

5 March 1943 (USA) See more »

Also Known As:

Lou Gehrig See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

Just before the start of New York Yankee home games (as of August 2018), the main scoreboard displays an image of a movie-theater marquee with the names of the Yankees and their opponents. Flanking the entrance of the theater are posters for two other attractions: The Babe Ruth Story (1948) and The Pride of the Yankees (1942). See more »

Goofs

When young Lou hits the ball, a close-up shows the pitcher in his wind-up almost-to or at-ball release with his arm forward of his body. However, when the view becomes a longer shot, the pitcher is still in his wind-up with his arm behind his head, moving forward. See more »

Quotes

Hank Hanneman: That Gehrig's the chump of all time. Falling for a gag like that.
Sam Blake: Aw, he doesn't know about a gag.
Hank Hanneman: Yeah? What does he know about, Mr. Bones?
Sam Blake: Baseball.
Hank Hanneman: He knows... I'll tell ya somethin'. A guy like that is a detriment to any sport. He's a boob with a batting eye. He wakes up, brushes his teeth, hikes out to the ballpark, hits the ball, hikes back to the hotel room, reads the funny papers, gargles and goes to bed. That's personality, hm?
Sam Blake: The best.
Hank Hanneman: A real hero.
Sam Blake: Let me tell you about heroes, Hank....
[...]
See more »

Crazy Credits

Opening credits acknowledgment: Appreciation is expressed for the gracious assistance of Eleanor Gehrig (as Mrs. Lou Gehrig) and for the cooperation of link=nm1561994] (as Mr. Ed Barrow) and the New York Yankees arranged by Christy Walsh. See more »

Alternate Versions

A colorized version is available. See more »

Connections

Referenced in Sports Jeopardy!: Episode #1.11 (2014) See more »

Soundtracks

Chicago (That Toddlin' Town)
(1922) (uncredited)
Music Fred Fisher
Played as background music at the carnival
See more »

Frequently Asked Questions

See more »

User Reviews

Cooper's most likeable performance...a heartfelt tribute to a great man...
13 August 2003 | by DoylenfSee all my reviews

Gary Cooper may have won his Oscar for SERGEANT YORK--but I think he deserved it even more for PRIDE OF THE YANKEES. I've never seen him give a more heartfelt, natural and completely likeable performance than I have here. And Teresa Wright is glowing as his sweetheart.

It tells Lou Gehrig's story in a simple, straightforward manner with only an occasional bit of Hollywood corn, the kind so typical of the 1940s. But the main storyline is carried by Cooper and Wright with some great assist from Walter Brennan. Brennan drops a lot of his cornball mannerisms (the kind he uses he in all his Western roles) and plays it straight here--with excellent results.

But it's Cooper's achievement--no doubt about that. If the last twenty minutes of the film don't move you to tears, you're made of stone. Cooper gets across the panic and fear that hits him with the first signs of his illness--with a subtle show of facial expressions. He's really into his character here and gives one of the best performances of his career.

Knowing someone who died from this disease, I was especially moved at how the first signs of illness were shown here.

Douglas Croft does a fine job as the young Lou--and by the way, whatever happened to him? He played Ronald Reagan as a boy in KINGS ROW and did several other films in the '40s. And how come Dane Clark received no billing in the credits? He was only seen early on in the film but he had a line of dialogue as one of Lou's fraternity pals. He had no credit in Alan Ladd's THE GLASS KEY too--he's the man Brian Donlevy shoves through a plate glass window. A year later he was being given the star buildup at Warner Bros.

A great film and a wonderful tribute to Lou Gehrig.


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