Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ... See full summary »
The Runeberg family is an ordinary middle class family, with a house in a suburb, a car and three children. By vacationing in a rented house by the sea, the hope is that the tension and ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
Juan David Restrepo
After an accident Raymond has gone blind .His family treats him like a child .But fortunately ,a nun comes to his rescue.She works in a center where blind people learn to read with the Braille alphabet.
They go from town to town, a big top on their backs, their show over their shoulder. They bring dreams and disorder to our lives. They are ogres, giants. They've devoured the theater and ... See full summary »
Biopic traces the life of Lou Gehrig, famous baseball player who played in 2130 consecutive games before falling at age 37 to ALS, a deadly nerve disease which now bears his name. Gehrig is followed from his childhood in New York until his famous 'Luckiest Man' speech at his farewell day in 1939.Written by
Jerry Milani <firstname.lastname@example.org>
Just before the start of New York Yankee home games (as of August 2018), the main scoreboard displays an image of a movie-theater marquee with the names of the Yankees and their opponents. Flanking the entrance of the theater are posters for two other attractions: The Babe Ruth Story (1948) and The Pride of the Yankees (1942). See more »
When young Lou hits the ball, a close-up shows the pitcher in his wind-up almost-to or at-ball release with his arm forward of his body. However, when the view becomes a longer shot, the pitcher is still in his wind-up with his arm behind his head, moving forward. See more »
That Gehrig's the chump of all time. Falling for a gag like that.
Aw, he doesn't know about a gag.
Yeah? What does he know about, Mr. Bones?
He knows... I'll tell ya somethin'. A guy like that is a detriment to any sport. He's a boob with a batting eye. He wakes up, brushes his teeth, hikes out to the ballpark, hits the ball, hikes back to the hotel room, reads the funny papers, gargles and goes to bed. That's personality, hm?
A real hero.
Let me tell you about heroes, Hank....
[...] See more »
Cooper's most likeable performance...a heartfelt tribute to a great man...
Gary Cooper may have won his Oscar for SERGEANT YORK--but I think he deserved it even more for PRIDE OF THE YANKEES. I've never seen him give a more heartfelt, natural and completely likeable performance than I have here. And Teresa Wright is glowing as his sweetheart.
It tells Lou Gehrig's story in a simple, straightforward manner with only an occasional bit of Hollywood corn, the kind so typical of the 1940s. But the main storyline is carried by Cooper and Wright with some great assist from Walter Brennan. Brennan drops a lot of his cornball mannerisms (the kind he uses he in all his Western roles) and plays it straight here--with excellent results.
But it's Cooper's achievement--no doubt about that. If the last twenty minutes of the film don't move you to tears, you're made of stone. Cooper gets across the panic and fear that hits him with the first signs of his illness--with a subtle show of facial expressions. He's really into his character here and gives one of the best performances of his career.
Knowing someone who died from this disease, I was especially moved at how the first signs of illness were shown here.
Douglas Croft does a fine job as the young Lou--and by the way, whatever happened to him? He played Ronald Reagan as a boy in KINGS ROW and did several other films in the '40s. And how come Dane Clark received no billing in the credits? He was only seen early on in the film but he had a line of dialogue as one of Lou's fraternity pals. He had no credit in Alan Ladd's THE GLASS KEY too--he's the man Brian Donlevy shoves through a plate glass window. A year later he was being given the star buildup at Warner Bros.
A great film and a wonderful tribute to Lou Gehrig.
25 of 27 people found this review helpful.
Was this review helpful to you?
| Report this