When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Sir Alfred De Carter suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the concert ends, he tries ... See full summary »
During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Gerry and Tom Jeffers are finding married life hard. Tom is an inventor/ architect and there is little money for them to live on. They are about to be thrown out of their apartment when Gerry meets rich businessman being shown around as a prospective tenant. He gives Gerry $700 to start life afresh but Tom refuses to believe her story and they quarrel. Gerry decides the marriage is over and heads to Palm Beach for a quick divorce but Tom has plans to stop her.Written by
Col Needham <email@example.com>
Preston Sturges's perfectionism slowed down production. He refused to move on to close-ups until he had a perfect master shot, and he would stop and do a new take if an actor changed a word of the script. William Demarest, who appeared in eight Sturges films, would later say, "He had a great memory. If you changed anything, he'd say, 'Wait a minute,' and, goddamn, he was right." See more »
Gerry (Claudette Colbert) is referred to as "tall," "dark-haired," and "long-legged." She is in fact short, blonde, and rather shorter-than-average of leg. See more »
[to "Capt. McGlew"/Tom Jeffers]
Are you still talking about that airport? You really take it on the chin, don't you?
John D. Hackensacker III:
Why not? If an idea has merit, it has merit. Sentiment and business don't belong in the same bed. After all, grandfather loathed oil, ya' know, it made his eyes water. But that didn't stop him from making millions out of it.
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Even more dementedly frantic than The Lady Eve, this film is Preston Sturges's most delirious screwball/slapstick romance, with one of the most amazing bits of comic combustion in the Ale and Quail Club train sequence. It's not as neatly structured as The Lady Eve, but it's filled with hilarious gags, lines, and performances. Claudette Colbert and Joel McCrea are remarkably composed and relaxed, but Rudy Vallee, Mary Astor, and all the other performers outdo themselves in energetic tomfoolery. When Vallee complains, plaintively, that the problem with the world is that the men most in need of a beating are usually enormous, or when Astor slyly suggests that she grows on people, like moss, you know you're hearing Preston Sturges's wit at its peak.
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