After a masterful performance as Othello in a London theater, Ralph Richardson is asked for an autograph by Fred, his dresser. A short while later, Fred has joined the Fleet Air Arm (Fly ... See full summary »
During the Allied Bombing offensive of World War II the public was often informed that "A raid took place last night over ..., One (or often more) of Our Aircraft Is Missing". Behind these sombre words hid tales of death, destruction and derring-do. This is the story of one such bomber crew who were shot down and the brave Dutch patriots who helped them home.Written by
Steve Crook <firstname.lastname@example.org>
When they are escaping with the help of Jo de Vries, she tells them to look out for a boat with 2 white diamonds on the starboard side, but when seen they are on the port side. If the diamonds are on both sides why did Jo mention the starboard side? See more »
Jo de Vries:
[Thinking about a toast]
Being a Dutch woman, I think Dutch water is better than French champagne.
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Opening credits prologue: Sunday morning, 04.26, at an operational station somewhere in England See more »
"...one of our aircraft is missing ..." is a well-cast and well-written piece from Powell and Pressburger, key film makers in 1940s Britain.
The crew of B for Bertie find themselves lost in enemy territory and have to depend on the resources of others to get them to safety. The crew are played by some of the best actors of the time: Godfrey Tearle as the upper-class rear gunner; Eric Portman as the bluff Yorkshire co-pilot; Hugh Williams (father of 1970s actor Simon) as the refined navigator; Bernard Miles - better than usual - as the front gunner; High Burden as the pilot; and Emrys Jones as the Welsh sportsman who became the radio operator.
In support are Googie Withers, P&P regular Pamela Brown, Joyce Redman, Robert Helpmann (as the quisling), Alec Clunes (father of Martin) as the church organist, and Peter Ustinov (in his film debut) as the priest.
This film has been done as a drama-documentary so has a very realistic feel and look, pulling the viewer right into the action alongside the aircraft crew. It is less atmospheric than the 30s P&P films featuring Conrad Veidt and perhaps represented a more grounded style to their work before their Technicolor fantasies of the late 40s.
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