Cast overview, first billed only: | |||
Alida Valli | ... | Kira Argounova | |
Fosco Giachetti | ... | Andrei Taganov | |
Rossano Brazzi | ... | Leo Kovalenski | |
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Emilio Cigoli | ... | Pavel Sjerov |
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Giovanni Grasso | ... | Stephan Tishenko |
Annibale Betrone | ... | Vassili Dunaev | |
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Elvira Betrone | ... | Maria Petrovna Dunaev |
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Sennuccio Benelli | ... | Saska |
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Cesarina Gheraldi | ... | La compagna Sonja |
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Silvia Manto | ... | Mariska |
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Gioia Collei | ... | La piccola Acia Dunaev |
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Bianca Doria | ... | Irina Dunaev |
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Lamberto Picasso | ... | GPU Captain |
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Claudia Marti | ... | Lidia Augounova |
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Evelina Paoli | ... | Galina Petrovna Argounova |
The time is the Russian Revolution. The place is a country burdened with fear - the midnight knock at the door, the bread hidden against famine, the haunted eyes of the fleeing, the grublike fat of the appeasers and oppressors. In a bitter struggle of the individual against the collective, three people stand forth with the mark of the unconquered in their bearing: Kira, who wants to be a builder, and the two men who love her - Leo, an aristocrat, and Andrei, a Communist. In their tensely dramatic story, Ayn Rand shows what the theories of Communism mean in practice. We the Living is not a story of politics but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what dictatorship - of any kind - does to human beings, what kind of men are able to survive, and which of them remain as the ultimate winners. What happens to the defiant ones? What happens to those who succumb? Who are the winners in this conflict? Against a vivid ... Written by The Publisher of "We the Living"
This entry refers to the Italian title for the Goffredo Allesandrini wartime production of Rand's 1936 autobiographical novel "We The Living". Released in Fascist Italy, it was banned after a five-month run when authorities discovered that the anticollectivist statements by several characters applied as much to fascism as to the communism in Russia to which the plot specifically referred. At least one print was discovered in Italy in the 1960's and in 1986 the film was rereleased with English subtitles under the English title.