7.6/10
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Mrs. Miniver (1942)

Not Rated | | Drama, Romance, War | 1 December 1942 (Sweden)
A British family struggles to survive the first months of World War II.

Director:

William Wyler

Writers:

Arthur Wimperis (screenplay), George Froeschel (screenplay) | 3 more credits »
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Won 6 Oscars. Another 4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Greer Garson ... Mrs. Miniver
Walter Pidgeon ... Clem Miniver
Teresa Wright ... Carol Beldon
May Whitty ... Lady Beldon (as Dame May Whitty)
Reginald Owen ... Foley
Henry Travers ... Mr. Ballard
Richard Ney ... Vin Miniver
Henry Wilcoxon ... Vicar
Christopher Severn Christopher Severn ... Toby Miniver
Brenda Forbes Brenda Forbes ... Gladys (Housemaid)
Clare Sandars Clare Sandars ... Judy Miniver
Marie De Becker Marie De Becker ... Ada
Helmut Dantine ... German Flyer
John Abbott ... Fred
Connie Leon Connie Leon ... Simpson
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Storyline

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs, the Minivers' son courts Lady Beldon's granddaughter. A rose is named after Mrs. Miniver and entered in the competition against Lady Beldon's rose. Written by Michael Rice <TheMikeRic@aol.com>

Plot Summary | Plot Synopsis

Taglines:

VOTED THE GREATEST MOVIE EVER MADE! See more »

Genres:

Drama | Romance | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German

Release Date:

1 December 1942 (Sweden) See more »

Also Known As:

Mrs. Miniver See more »

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Box Office

Budget:

$1,344,000 (estimated)

Gross USA:

$13,500,000

Cumulative Worldwide Gross:

$21,173,600
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

First movie to receive five acting nominations at the Academy Awards. See more »

Goofs

The Minniver's telephones are obviously American sets. See more »

Quotes

Mr. Ballard: What goes to make a rose, ma'am, is breeding... and budding... and horse manure, if you'll pardon the expression. And that's where you come in, ma'am.
See more »

Crazy Credits

End of the film: AMERICA NEEDS YOUR MONEY BUY DEFENSE BONDS AND STAMPS EVERY PAY DAY See more »

Connections

Referenced in The Dick Van Dyke Show: Long Nights Journey Into Day (1966) See more »

Soundtracks

Midsummer's Day
(uncredited)
Written by Gene Lockhart
Played and Sung by the local glee club at the flower show
See more »

Frequently Asked Questions

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User Reviews

A very personal experience
20 April 2007 | by jandesimpsonSee all my reviews

When a film touches one's own reality it becomes something rather special. For this reason I have long held a deep affection for Wyler's saga of an English family on the home front from the immediate pre-second world period to the darkest days of the blitz. It has become very fashionable to sneer at "Mrs Miniver" as sentimental propaganda long after the events it depicted. Was it really like that? Well - yes and no. The whole was very cleverly orchestrated by a team of four scriptwriters (including James Hilton), Hollywood's most accomplished director (William Wyler), MGM's able in-house composer (Herbert Stothart), one of their best cameramen (Joseph Ruttenburg) and a cast, when not verging on the caricature, giving the nearest semblance to the emotions I can remember living through as a child during those dark days. No one sneered at the time and the film gathered a well deserved collection of Oscars. It was only afterwards that doubts set in and reactions from a new generation became derisory. Looking at it today there are many things that are not quite right but they tend to be minor such as the risibly awful choir at the garden party, the maid snivelling to the point of embarrassment, the phoney look of American style fencing around those English gardens and the endless digs at class which, although part and parcel of how things were, were never quite so overstated. Where the work really comes into its own is in its portrayal of human emotions which was always Wyler's trump card. A film that attempts to enshrine that spirit of togetherness that comes to the fore in times of adversity and the fight against a common evil needed a director able to convey with an almost tactile sense of human passion. William Wyler, who during his great period from "Jezebel" in 1938 to "Carrie" in 1952 depicted the human heart with an intensity that has hardly ever been seen before or since, invested his depiction of the British wartime home front with a sincerity that almost completely deflects the arrows of criticism it has so often received. Ask again if it was really like that and I would cite the air-raid shelter scene some two-thirds of the way through as being in every sense definitive. My mother protected me in just such a way during air-raids in South London during the 1940 blitz as do the Miniver parents their children. I remember the crescendo of destructive sounds as depicted in the film as if only yesterday.


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