The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.
IMDb RATING
7.7/10
24K
YOUR RATING
- Directors
- Orson Welles
- Fred Fleck(additional sequences)
- Robert Wise(additional sequences)
- Writers
- Booth Tarkington(from the novel by)
- Orson Welles(script writer)
- Joseph Cotten(additional scenes)
- Stars
Top credits
- Directors
- Orson Welles
- Fred Fleck(additional sequences)
- Robert Wise(additional sequences)
- Writers
- Booth Tarkington(from the novel by)
- Orson Welles(script writer)
- Joseph Cotten(additional scenes)
- Stars
- See more at IMDbPro
- Nominated for 4 Oscars
- 4 wins & 4 nominations total
Videos1
Edwin August
- Citizenas Citizen
- (uncredited)
Georgia Backus
- Matronas Matron
- (uncredited)
Harry A. Bailey
- Citizenas Citizen
- (uncredited)
Olive Ball
- Mary - Maidas Mary - Maid
- (uncredited)
Jack Baxley
- Reverend Smithas Reverend Smith
- (uncredited)
Lyle Clement
- Citizenas Citizen
- (uncredited)
Don Dillaway
- Wilbur Minaferas Wilbur Minafer
- (uncredited)
- Directors
- Orson Welles
- Fred Fleck(additional sequences) (uncredited)
- Robert Wise(additional sequences) (uncredited)
- Writers
- Booth Tarkington(from the novel by)
- Orson Welles(script writer)
- Joseph Cotten(additional scenes) (uncredited)
- All cast & crew
Storyline
The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end. —John Oswalt <jao@jao.com>
- Taglines
- From the Man Who Made "The Best Picture of 1941"
- Genres
- Certificate
- Not Rated
- Parents guide
Did you know
- TriviaRKO chopped 50 minutes of the film and added a happy ending while Orson Welles was out of the country. The footage was subsequently destroyed; the only record of the removed scenes is the cutting continuity transcript.
- GoofsTowards the end of a long tracking shot with George and Lucy in a horse-drawn carriage, a portion of the rear end of a camera car and some sort of filmmaking equipment briefly enters the left side of frame.
- Crazy creditsAll of the credits except the RKO logo, the film's title and the copyright notice are recited orally (by Orson Welles) at the end of the film, not written out onscreen. As Welles recites the names of the production crew, we see such items as a motion picture camera when he says "Director of Photography," a pair of hands turning knobs as he says the words "Sound Recording By," etc.
- Alternate versionsFrom "Magnificent Obsession," a Vanity Fair article by David Kamp from April 2000: "On March 11, Wise sent a 132-minute composite print (a print with picture and soundtrack synchronized) to Rio for Welles to review. This is the version that scholars and Wellesophiles consider to be the 'real' Magnificent Ambersons. Curiously enough, the first blow against this version was dealt not by RKO but by Welles himself. Before he'd even received the composite print, he impulsively ordered Wise to cut 22 minutes from the middle of the film, mostly scenes concerning George Minafer's efforts to keep his mother and Eugene apart. Wise complied, and on March 17, 1942, The Magnificent Ambersons, in this form, had its first preview screening, in the Los Angeles suburb of Pomona. Sneak previews are a notoriously unreliable gauge of a film's worth and potential for success, and RKO did The Magnificent Ambersons a particular disservice by previewing it before an audience composed mostly of escapism-hungry teenagers, who had come to see the movie at the top of the bill, The Fleet's In, a feather-light wartime musical starring William Holden and Dorothy Lamour."
- ConnectionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- SoundtracksThe Man Who Broke the Bank at Monte Carlo
(1892) (uncredited)
Music and Lyrics by Fred Gilbert
Sung a cappella by Joseph Cotten, Dolores Costello, Anne Baxter,
Tim Holt, Agnes Moorehead and Ray Collins
Top review
Excellent Cast, Characters, Setting, & Story
With an excellent cast, interesting characters and setting, and a thought-provoking story, dramatic cinema does not get much better than "The Magnificent Ambersons". No one will ever know what it would have been like if Orson Welles' original version had been allowed to stand as it was, but what is left is still extremely good despite the missing portions.
The story of the leading residents in a turn-of-the-century town combines some interesting themes. The snobbishness of the Ambersons, and its effects on their lives and others' lives, is illustrated alongside the ways that increasing industrialization is changing everyone's lives. The period setting is also quite interesting in its own right, and very nicely done. The characters are all convincing and well-defined, and are matched nicely with fine performers who bring them to life convincingly. Welles regulars Joseph Cotten and Agnes Moorehead are especially good.
The only real disappointment in the movie is that, due to all the cuts made against Welles' wishes, there are times when it is obvious that a scene or information is missing, since characters at times refer to events that are not quite familiar to the audience. It is fortunate that the acting and writing are good enough to help us fill in the blanks to some degree, but it is really too bad that we can never see the whole picture.
As it stands, this is a fine film filled with good scenes and memorable characters, and a movie that will be much appreciated by fans of classic cinema.
The story of the leading residents in a turn-of-the-century town combines some interesting themes. The snobbishness of the Ambersons, and its effects on their lives and others' lives, is illustrated alongside the ways that increasing industrialization is changing everyone's lives. The period setting is also quite interesting in its own right, and very nicely done. The characters are all convincing and well-defined, and are matched nicely with fine performers who bring them to life convincingly. Welles regulars Joseph Cotten and Agnes Moorehead are especially good.
The only real disappointment in the movie is that, due to all the cuts made against Welles' wishes, there are times when it is obvious that a scene or information is missing, since characters at times refer to events that are not quite familiar to the audience. It is fortunate that the acting and writing are good enough to help us fill in the blanks to some degree, but it is really too bad that we can never see the whole picture.
As it stands, this is a fine film filled with good scenes and memorable characters, and a movie that will be much appreciated by fans of classic cinema.
helpful•197
- Snow Leopard
- Jul 10, 2001
Details
Box office
- Budget
- $850,000 (estimated)
- Runtime
- 1h 28min
- Color
- Aspect ratio
- 1.37 : 1
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By what name was The Magnificent Ambersons (1942) officially released in India in English?
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