Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
American military leader and war hero Robert Forrester, universally beloved and respected within the country and thus touted as Presidential material, has just died in a freak car accident on his sprawling estate, where, during an unexpected rainstorm, the car he was driving plunged over a ravine as he didn't notice the washed-out bridge. While the nation mourns, the national reporters descend on his small hometown to write the story of the incident. One reporter who won't is renowned Steven O'Malley, who wants instead to write an in-depth piece on the man to preserve his status within the public consciousness. Although happy to use official documents and records, O'Malley wants most specifically to speak to his wife, Christine Forrester, which may be a difficult task as she has refused to grant any interviews as a very private person. O'Malley is able to meet with Christine in person, and although she is reluctant to oblige his request at first, she is convinced by Robert's aide, ...Written by
Geoffrey Midford (Forrest Tucker) drives a brand new 1942 Lincoln Continental convertible, the last model that rolled off the assembly lines in 1941 before civilian automobile production was abandoned as a result of WWII. See more »
Right after Old Mrs. Forrest complains about her son having been "stabbed in the back", she is shown with her hand at chest level. Immediately afterward, there is a cut to a wider shot, and her hand is down by her waist. See more »
Hero fever, I call it. Very modern. Ever since we've been getting out of touch with God, we've been pushovers for it. And the young get it the worst of all.
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I'm sure anyone seeing this film will wonder just what is happening. This great cast made a very serious movie and were lines they could deliver powerfully dramatically and evenly to convey a whole range of emotions.
The plot is easily summarized. A reporter, O'Malley (Spencer Tracy) wants to write -- what? he's not certain -- a piece on an icon who people revere in the same way they might (say) Washington or Lincoln, The first part of the film is documents how to get to see the icon's wife. She's reclusive and her servants are dedicated to preserving her sanctity. What's behind this isolation? That in itself is a bothersome question for O'Malley. Something is not ringing right. She was the wife of a popular public figure. Why wouldn't she cooperate? As he digs, he finds he cannot write the story, at first because he does not know enough, and then because he knows too much of the wrong thing and finally because he suspects he does not know what is hidden from him and it is critical.
And as he untwists the Gordian knot that is presented to him, he finds there is duplicity and mendacity on every level. But nothing is as simple as it seems. Instead of writing about the icon, he picks the wife.
But that is not the depth of the film. The depth is revealed as we learn about the Hepburn character and Tracy's response. He moves from someone who can ignore genuine interest in him by a woman, (Audrey Christie), and seek his goal. What develops is first a genuine friendship followed by an admiration that transcends almost any other kind of relationship.
That is a very complicated situation to convey in the simple straight forward acting method of Tracy's (but he always manages to do what is required of him), and mysterious sophisticated quality that Hepburn always wears like some garment only given once by the gods who give such gifts.
This is not an easy exercise. Don't get caught in the datedness. Watch how the actors, directors and writers put together something that is admirable in its mixture of simplicity and complexity -- what others have called pealing the onionskin off the inion.
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