Young boy Mowgli, who was raised in the jungle by animals, must decide whether he belongs to the jungle or the human world as well as confront the villainous tiger, who's threatening the wolf pack that adopted him.
A caring she-wolf adopts a lost human baby. He's named Mowgli and raised by Baloo the bear and Bagheera the panther. One day, impish monkeys snatch Mowgli away and take him to their city. Baloo and Bagheera ask Kaa the snake for help.
Pre-teen jungle boy Mowgli gets to human world and is pursued by P.T.Barnum circus scout Harrison who wants to take him to circus as curiosity. Harrison hires local grandee Buldeo for help ... See full summary »
Teenaged Mowgli, who was raised by wolves, appears in a village in India and is adopted by Messua. Mowgli learns human language and some human ways quickly, though keeping jungle ideas. Influential Merchant Buldeo is bigoted against 'beasts' including Mowgli; not so Buldeo's pretty daughter, whom Mowgli takes on a jungle tour where they find a treasure, setting the evil of human greed in motion.Written by
Rod Crawford <email@example.com>
This was the first film for which original soundtrack recordings were issued. Previously, when record companies released music from a film, they had insisted on re-recording the music in their own studios with their own equipment. The "Jungle Book" records were taken from the same recordings used for the film's soundtrack, and their commercial success paved the way for more original-soundtrack albums. See more »
Despite a comment by a villager about "running naked" through the jungle, Mowgli can be seen wearing a pair of briefs when he first enters the village and is pursued by the villagers. See more »
What is the book of life itself but man's war with nature. The struggle between village and jungle!
See more »
When the Blitz began taking its toll on London, producer Alexander Korda picked up stakes and headed for Hollywood, with his two brothers, Zoltan and Vincent, in tow. There, they finished "Thief of Bagdad" (1940) and produced "That Hamilton Woman" (1941) before beginning this elaborate Technicolor version of Kipling's Mowgli stories, originally titled "The Jungle Books," (published in 1894 and 1895). The film focuses on three of the volume's stories - "Mowgli's Brothers," "Tiger, Tiger" and "The King's Ankus." It's a fairly interesting screen translation of Kipling's attempt to provide young readers with the stories he was told by his Indian ayah when he was a child growing up in the Far East.
When a big-spending movie producer like Korda acquires the rights to a classic, there are inevitable changes. Someone hit upon the cute idea of giving Mowgli (played by Sabu) a "love interest." She appears here in the person of Mahala (Patricia O'Rourke), but after she passively lends impetus to an ill-fated search for lost treasure, her character becomes inconsequential to the rest of the picture.
The film begins as Mowgli's mother, Messua (Rosemary de Camp) is widowed one morning when her husband becomes breakfast for a hungry tiger. We later learn that the tiger is the vicious Shere Khan, who during Mowgli's childhood has become his arch-enemy. Unfortunately, when Mowgli and Shere Khan square off for a climactic battle to the end, the dated special-effects are a disappointment. Perhaps Kipling's original version of Khan's death (in the book, he is trampled lifeless by Mowgli's animal/allies) would have better suited the film.
Three of the village's leading citizens have been thrown together as a sort of Hindu vaudeville act: Buldeo, the blowhard hunter (the good, underrated Joseph Calleia); the greedy barber (John Qualen); and the "pundit" (Frank Puglia). Their lust for a dead king's treasure is given appropriate levity. The predatory Buldeo, Shere Khan's human counterpart, represents the single most dangerous threat to the jungle and the sense of community held sacred by the animals who live there. Ideologically, therefore, the fire that purges the jungle of all human sins seems an appropriate climax.
In the end, we see Buldeo, now aged and wiser, confessing his past sins to all who will pay a rupee to listen to his story of Mowgli and the jungle. As we see, he ultimately earns his money and reputation honestly as not only a story-teller, but as the narrator of this charming spectacle.
9 of 11 people found this review helpful.
Was this review helpful to you?
| Report this