Young boy Mowgli, who was raised in the jungle by animals, must decide whether he belongs to the jungle or the human world as well as confront the villainous tiger, who's threatening the wolf pack that adopted him.
Pre-teen jungle boy Mowgli gets to human world and is pursued by P.T.Barnum circus scout Harrison who wants to take him to circus as curiosity. Harrison hires local grandee Buldeo for help ... See full summary »
A caring she-wolf adopts a lost human baby. He's named Mowgli and raised by Baloo the bear and Bagheera the panther. One day, impish monkeys snatch Mowgli away and take him to their city. Baloo and Bagheera ask Kaa the snake for help.
Teenaged Mowgli, who was raised by wolves, appears in a village in India and is adopted by Messua. Mowgli learns human language and some human ways quickly, though keeping jungle ideas. Influential Merchant Buldeo is bigoted against 'beasts' including Mowgli; not so Buldeo's pretty daughter, whom Mowgli takes on a jungle tour where they find a treasure, setting the evil of human greed in motion.Written by
Rod Crawford <firstname.lastname@example.org>
Merian C. Cooper did considerable preproduction work but it was abandoned when he decided to re-enlist in the armed forces in June 1941. See more »
Two scenes with the black panther were obviously shot with the panther behind a glass screen, likely as a safeguard to protect the actors. In both scenes, showing close-ups of the panther, debris is seen adhering to the glass. See more »
We're going to have a marketplace, and a temple, and a mighty city. Aye, we'll have all that if we can beat the jungle. But have you in your hundred years seen man win a war with nature?
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Reared in the Indian Jungle, a young man must learn to live amongst the most rapacious of Nature's creatures, Man.
Sir Alexander Korda's splendid film uses Kipling's book as a launching pad to tell Mowgli's story after he left his animal friends. It is told with great verve and excitement and its evocative views of the great jungle and the Lost City, as locations for Mowgli's further adventures, revealed in vibrant Technicolor, are an indication of the excellent production values lavished to make the story come alive.
As teen-aged Mowgli, Indian actor Sabu couldn't be more perfect. Whether as the Wild Boy who first enters the village, or, later, as the completely competent young man who ferrets out the secret of the Lost City's treasure, fights the tiger Shere Khan and communes with deadly snakes, elephants & wolves, he is completely believable. Kipling would have been proud.
Rosemary DeCamp is a quiet delight as Mowgli's gentle mother, her scenes with Sabu are most effective and tender. John Qualen, Frank Puglia, and especially Joseph Calleia, all score as the members of the man-village who want to see Mowgli destroyed. Playing his character as an old man, Calleia also bookends the film as its storyteller, using his somber demeanor to add to the mystery of the plot. That's Silent star Noble Johnson as the Sikh whose female companion encourages the telling of the tale.
Born Sabu Dastagir in 1924, Sabu was employed in the Maharaja of Mysore's stables when he was discovered by Korda's company and set before the cameras. His first four films (ELEPHANT BOY-1937, THE DRUM-1938, THE THIEF OF BAGDAD-1940, JUNGLE BOOK-1942) were his best and he found himself working out of Hollywood when they were completed. After distinguished military service in World War II he resumed his film career, but he became endlessly confined for years playing ethnic roles in undistinguished minor films, BLACK NARCISSUS (1947) being the one great exception. His final movie, Walt Disney's A TIGER WALKS (1964) was an improvement, but it was too late. Sabu had died of a heart attack in late 1963, only 39 years of age.
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