Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X". After Alyce goes to London to meet a beau... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing.Written by
Steve Fenwick <email@example.com>
Both of the leading ladies have their hair dyed opposite to their natural hair color: Marjorie Reynolds is a brunette playing the blonde Linda Mason; Virginia Dale is a blonde playing brunette Lila Dixon. See more »
The calendars shown for the last part of the film are from 1942, except for November, which is from 1941. The progression of calendars goes December 1941, February 1942, April 1942, July 1942, November 1941, and December 1942. This November calendar portrays the second-to-last vs. fourth Thursday Thanksgiving day confusion, started in 1939 by presidential proclamation, and cleared up by congressional legislation in 1941 for the 1942 calendar. See more »
Opening credits prologue: DECEMBER 24 Christmas Eve See more »
The musical number "Abraham", performed by Bing Crosby, Marjorie Reynolds and the chorus, is sometimes cut from TV prints due to the use of blackface. Always included in telecasts of the film from the late 1950's through the early 1980's, it has been cut from Disney Channel telecasts of the film as well as showings on American Movie Classics after they began adding commercials to their films and editing potentially offensive sequences out. When AMC first started, it showed the film complete. See more »
They don't get much better than this: Astaire with the drop dead dancing cool, and Crosby with the honey crooning, both competing for the same gal. Crosby decides to let it all go and settle in the country, then on a whim realizes he can open his country house as a club open on holidays only. The girl he ends up drafting for the floor shows ends up being the love of his life, and the dancing partner Astaire has always been searching for.
Astaire, Crosby, and Reynolds have great chemistry together: I thought it quite convincing how Crosby's overprotective zeal scared Reynolds away for a while, and Astaire was very cool and believable as a kind of an inoffensive opportunist who exploits Crosby's passionate responses to whatever threat he perceives in Astaire.
Top it off with many of Irving Berlin's best classic tunes, performed in interesting interpretations, and you have a very good musical film.
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