Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing.Written by
Steve Fenwick <firstname.lastname@example.org>
Until 1997, "White Christmas" was the best selling music single ever. It was passed at that time by "Goodbye, England's Rose", the Elton John rework of "Candle in the Wind" done for Princess Diana's funeral. These two songs still rank #1-2. See more »
The telegram that Ted Hanover receives from Jim Hardy on Christmas Eve is dated December 25th. See more »
Opening credits prologue: DECEMBER 24 Christmas Eve See more »
The musical number "Abraham", performed by Bing Crosby, Marjorie Reynolds and the chorus, is sometimes cut from TV prints due to the use of blackface. Always included in telecasts of the film from the late 1950's through the early 1980's, it has been cut from Disney Channel telecasts of the film as well as showings on American Movie Classics after they began adding commercials to their films and editing potentially offensive sequences out. When AMC first started, it showed the film complete. See more »
I always feel that a true classic is either a film or a song that within a few feet of film or a few bars of a tune, you know exactly what the song or film is and in most cases the cast or artist who was involved with it.
This film, in my opinion, is no exception. The casting of this film (Bing Crosby as Jim Hardy and Fred Astaire as Ted Hanover) is pure genius. Both stars were really at their professional peaks at the time and they show it in this movie musical.
Both Marjorie Reynolds as Linda Mason and Virginia Dale as Lila Dixon were not as well known, but I feel they both more than proved themselves in holding their own against the talents of Astaire & Crosby.
The supporting cast were fine too. Louise Beavers as well as Walter Abel gave some comedic relief in their roles as Mamie & as Danny Reid.
The firecracker dance sequence with Astaire is well worth the price of admission alone! I also enjoyed the dancing sequence between Astaire & Dale during the "Your Easy to Dance With" number and between Astaire & Reynolds during the "Be Careful Its My Heart" number.
Truly a wonderful film despite the controversy surrounding the "Abraham" black face routine.
When I first saw this film, I never thought about it as being filmed to offend anyone, I just considered it was the only way to explain in the plot why Ted & Danny don't recognize Linda since Jim has been hiding her from them. I have never changed my feelings on this and still feel the same way some 35 years later after my original viewing.
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