A greedy woman turns in her husband, a jewel thief, for the reward. Her husband's friend, a detective, adopts the couple's child and raises her as his own. Eighteen years later the husband,...
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Jennie Gerhardt is a 1933 American Pre-Code drama film directed by Marion Gering for Paramount Pictures. It stars Sylvia Sidney, Mary Astor, and Edward Arnold. The film is based on the 1911 novel Jennie Gerhardt by Theodore Dreiser.
Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married ... See full summary »
A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
A self-made success is determined to give his son the lavish upbringing he himself was denied. Not surprisingly, the son grows up to be spoiled rotten, causing grief and pain to everyone who loves him.
Caroline Mason, on vacation with her father Mr. Bliss in Idaho, has fallen in love with gaucho Paco Del Valle, the two who plan to get married. The problem is is that she's already married,... See full summary »
An obsessively bitter war widow and one of the men her husband saved in WW2 meet. He tries to convince her the sacrifice was necessary, but her problem isn't that simple. And can she help ... See full summary »
Ann Williams, secretary to eccentric drama critic Frederick Skeates, is persuaded to alter a ruinous review of Shakespearean actor Edmund Davey by Davey's wife Barbara. Davey's 'Othello' ... See full summary »
A greedy woman turns in her husband, a jewel thief, for the reward. Her husband's friend, a detective, adopts the couple's child and raises her as his own. Eighteen years later the husband, still in prison, finds out that his ex-wife is now attempting to blackmail their daughter. He vows to break out and put a stop to her once and for all.Written by
Gentleman jewel thief "Heliotrope Harry" Melton (Brian Donlevy), a Roaring Twenties legend, becomes a changed man after his wife Flo (Miriam Hopkins) gives birth to a baby girl and the decision to go straight sends his selfish spouse straight into the arms of his partner in crime, suave Eddie Smith (Phillip Reed). They tip off his childhood friend, policeman Tom Gaynor (Preston Foster), to an upcoming heist but Harry sidesteps their trap and tracks down the treacherous twosome. He lets Eddie have it but lets Flo go, vowing to kill her if he ever sees her again and then turns himself in to Gaynor on the condition that the cop raise his daughter. Eighteen years later, Gaynor's a supreme court judge with his daughter about to marry into old money when Flo slithers out of Buenos Aires with blackmail on her mind and Harry, out of his mind over this, crashes out of prison to carry out that long-ago threat...
I've never seen anything quite like this male "chick flick" yet I was constantly reminded of other movies. I flashed back to Jimmy Cagney and Pat O'Brien as boyhood friends on opposite sides of the law and also recalled Spencer Tracy and John Garfield breaking out of prison to set things right. LITTLE MISS MARKER also came to mind. Cross a Warner Brothers upperworld gangster movie with STELLA DALLAS or MADAME X and you'll have an idea of what A GENTLEMAN AFTER DARK is like. The off beat casting only adds to the overall oddness- I like bantam Brian Donlevy who's affable, stocky, and a bit like Lon Chaney, Jr. every time he's a leading man but this role required a complicated (ruthless/loving) charisma he couldn't quite pull off. And what was Miriam Hopkins doing in this? The talented but temperamental hoyden was a sexy sensation in some of her early 30s Paramount Pre-Codes but she had the kind of blonde beauty that faded fast and was a poor second choice for a 40s femme fatale originally meant for beautiful Ilona Massey. Miriam was on familiar territory, however, having been a jewel thief in TROUBLE IN PARADISE, involved in pulling paternity wool over a young girl's eyes in THE OLD MAID, and stalked by an obsessed killer in DR. JEKYLL & MR HYDE. Douglass Dumbrille and Gloria "Dracula's Daughter" Holden are in it, too. The sentimental crime meller (I guess you'd call it) was capably directed without panache by Edwin L. Marin and was a remake of FORGOTTEN FACES, a lost 1928 silent starring exotic blonde glamazon Olga "Freaks" Baclanova. It may not be Film Noir and the title's pretty strange (what woman or gay man wants THAT?) but it should hold the interest of any classic film fan.
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