A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.

Director:

Michael Curtiz

Writers:

Julius J. Epstein (screenplay), Philip G. Epstein (screenplay) | 3 more credits »
Popularity
930 ( 82)
Top Rated Movies #48 | Won 3 Oscars. Another 7 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
Humphrey Bogart ... Rick Blaine
Ingrid Bergman ... Ilsa Lund
Paul Henreid ... Victor Laszlo
Claude Rains ... Captain Louis Renault
Conrad Veidt ... Major Heinrich Strasser
Sydney Greenstreet ... Signor Ferrari
Peter Lorre ... Ugarte
S.Z. Sakall ... Carl (as S.K. Sakall)
Madeleine Lebeau ... Yvonne (as Madeleine LeBeau)
Dooley Wilson ... Sam
Joy Page ... Annina Brandel
John Qualen ... Berger
Leonid Kinskey ... Sascha
Curt Bois ... Pickpocket
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Storyline

The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make. Written by Kyle Perez

Plot Summary | Plot Synopsis

Taglines:

WARNER BROS.' Sensational Story of the City that Rocked the World! (Print Ad-Albany Times-Union, ((Albany NY)) 13 January 1943) See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated PG for mild violence | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

The first writers assigned to the script were twins Julius Epstein and Philip Epstein, who, against the wishes of Warner Brothers, left at Frank Capra's request early in 1942 to work on the "Why We Fight" series in Washington, DC. While they were gone, Howard Koch was assigned. He produced some 30-40 pages. When the Epstein brothers returned after about a month, they were reassigned to "Casablanca" and--contrary to what Koch claimed in two published books--his work was not used. In the final Warner Bros. budget for the film, the Epsteins were paid $30,416, while Koch earned $4,200. See more »

Goofs

When discussing with Renault outside the café, as Rick sits down there is a piece of paper on the table along with a white, square dish, and an ashtray. A little later, the paper and the white dish have disappeared. Instead, a bottle has appeared and the ashtray has shifted position. Moments later, the dish and the paper reappear only to disappear again. See more »

Quotes

[first lines]
Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...]
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Alternate Versions

In the Italian version, the sequence where the Italian Officer Tonnelli meets Strasser is cut. See more »

Connections

Referenced in Alitis kai batsos (1989) See more »

Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Arranged by Max Steiner
Played during the opening credits
Sung by Madeleine Lebeau and others at Rick's
Variations played often in the score
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User Reviews

 
A masterwork for all time...
10 November 2004 | by kdryanSee all my reviews

There is a scene about halfway through the movie Casablanca that has become commonly known as 'The Battle of the Anthems' throughout the film's long history. A group of German soldiers has come into Rick's Café American and are drunkenly singing the German National Anthem at the top of their voice. Victor Lazlo, the leader of the French Resistance, cannot stand this act and while the rest of the club stares appalled at the Germans, Lazlo orders the band to play 'Le Marseilles (sic?)' the French National Anthem. With a nod from Rick, the band begins playing, with Victor singing at the top of HIS voice. This in turn, inspires the whole club to begin singing and the Germans are forced to surrender and sit down at their table, humbled by the crowd's dedication. This scene is a turning point in the movie, for reasons that I leave to you to discover.

As I watched this movie again tonight for what must be the 100th time, I noticed there was a much smaller scene wrapped inside the bigger scene that, unless you look for it, you may never notice. Yvonne, a minor character who is hurt by Rick emotionally, falls into the company of a German soldier. In a land occupied by the Germans, but populated by the French, this is an unforgivable sin. She comes into the bar desperately seeking happiness in the club's wine, song, and gambling. Later, as the Germans begin singing we catch a glimpse of Yvonne sitting dejectedly at a table alone and in this brief glimpse, it is conveyed that she has discovered that this is not her path to fulfillment and she has no idea where to go from there. As the singing progresses, we see Yvonne slowly become inspired by Lazlo's act of defiance and by the end of the song, tears streaming down her face, she is singing at the top of her voice too. She has found her redemption. She has found something that will make her life never the same again from that point on.

Basically, this is Casablanca in a nutshell. On the surface, you may see it as a romance, or as a story of intrigue, but that is only partially correct.

The thing that makes Casablanca great is that it speaks to that place in each of us that seeks some kind of inspiration or redemption. On some level, every character in the story receives the same kind of catharsis and their lives are irrevocably changed. Rick's is the most obvious in that he learns to live again, instead of hiding from a lost love. He is reminded that there are things in the world more noble and important than he is and he wants to be a part of them. Louis, the scoundrel, gets his redemption by seeing the sacrifice Rick makes and is inspired to choose a side, where he had maintained careful neutrality. The stoic Lazlo gets his redemption by being shown that while thousands may need him to be a hero, there is someone he can rely upon when he needs inspiration in the form of his wife, who was ready to sacrifice her happiness for the chance that he would go on living. Even Ferrai, the local organized crime leader gets a measure of redemption by pointing Ilsa and Lazlo to Rick as a source of escape even though there is nothing in it for him.

This is the beauty of this movie. Every time I see it (and I have seen it a lot) it never fails that I see some subtle nuance that I have never seen before. Considering that the director would put that much meaning into what is basically a throw away moment (not the entire scene, but Yvonne's portion) speaks bundles about the quality of the film. My wife and I watched this movie on our first date, and since that first time over 12 years ago, it has grown to be, in my mind, the greatest movie ever made.


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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French | German | Italian

Release Date:

23 January 1943 (USA) See more »

Also Known As:

Everybody Comes to Rick's See more »

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Box Office

Budget:

$950,000 (estimated)

Opening Weekend USA:

$181,494, 12 April 1992

Gross USA:

$4,108,411

Cumulative Worldwide Gross:

$4,376,287
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Company Credits

Production Co:

Warner Bros. See more »
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Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
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