The Murderer Lives at Number 21

In 1941,Georges Lacombe made "le dernier des six",adapted from a Stanislas André Steeman book.Clouzot wrote the script,and introduced his girlfriend Suzy Delair (Mila Malou, a character whom he created from start to finish,Steeman's sleuth M.Wens was a bachelor).

So here we are again:a new Steeman detective story (probably his masterpiece),Fresnay as the sleuth,and Delair a pain in the neck of a singer.(She had begun to "launch " her " career" of chanteuse in "le dernier des six";I recommend this earlier work to all these who enjoyed the 1942 movie)Steeman did not like the adaptation.The couple Delair/FResnay was not his cup of tea,and anyway,like Hercule Poirot doesn't investigate in "and then there were none",M.Wens (therefore Mila Malou,Clouzot's invention)is absent from the novel "l'assassin habite au 21".But what infuriated Steeman,twas mainly that his story was set in London,and Clouzot (German Occupation) was compelled to film in Paris.

What's the matter?Clouzot's first opus,is a gem,one of these mysteries with the ending you'll never guess.Agatha Christie's fans will relish watching that!Shall I give a clue ?Mathematically,it's a ternary notation.Computers,you can forget it!For the rest,my lips are sealed.

All Clouzot's work ,all that he will brilliantly develop in subsequent works is already here :a rotten microcosm (the boarding-house with a lot of wicked old people predates the school in "les diaboliques" and the small town in "le corbeau".His sarcastic humor shines here there and everywhere.He asserts his extraordinary skills by detailing the supporting characters.Of course a diabolical suspense (and admire the elegance of Clouzot's style,when Fresnay/Wens finds out what's been going on.)

In a nutshell,a serial killer is rampant in town:they discover his address.Alas it's a boarding-house!So whodunit?Sometimes I wonder whether this charming thriller might not be superior to the renowned "le corbeau" which was released the following year.With it,a director who influenced countless ones was born.

On a street, there is a house at 21, several residents reside, each has a room, and one contains a killer, in this extremely thrilling (in the sense of enjoyable) chiller, but do not pre-empt the culprit, do not presume. Inspector Wens decides to take one of the rooms, as the killings continue, suspects assumed, they're arrested and locked up, but cadavers still pop up, though the suspects are reduced, so you assume.

A wonderful piece of whodunit filmmaking that leaves you scratching your head while smiling at the antics of L'inspecteur Wenceslas Wens and his partner Mila Malou, as they sift through the curious souls who inhabit number 21, in their search for the murderer, Monsieur Durand.

This film is about a series of murders all done, apparently, by someone calling themselves 'Mr. Durand'. At the scene of every murder, they leave a calling card taking credit for the killings and Inspector Wens is determined to get to the bottom of it. The trail leads to a boarding house and, with the unwelcome help of Mila, he will attempt to solve these horrible crimes.

Henri-Georges Clouzot directed some wonderful French thrillers and is one of the best directors of his age. Films like his "Le Corbeau", "Quai des Orfèvres", "Wages of Fear" and "Diabolique" are brilliant and must be seen. However, in this early film, "The Murderer Lives at Number 21" he does not show the greatness that would make him famous. It's decent--but also a bit annoying. Why annoying? Because Clouzot was wonderful with suspense but combining suspense with comedy was a big mistake--making this an enjoyable but lightweight film. I say lightweight because some of the acting is so incredibly broad that scenes with Mila (Suzy Delair) are often a bit painful. Overall, it is worth seeing--but don't expect his later brilliance.

This light murder mystery, with Pierre Fresnay as the cool detective and the delightful (if a bit overwhelming) Suzy Delair as his "sidekick," somewhat a la Nick & Nora Charles, is in style and casting (Fresnay, Pierre Larquey, Noel Roquevert), sexual tension, even theme - the ambiguity of criminal responsibility - a prelude to Clouzot's far more significant Le corbeau (1943). The Fresnay-Delair duo brings fresh air to the claustrophobic space of Vichy cinema.

Henry-Georges Clouzot is one my favorite French director mainly by Quai Des Orfèvres and Le Salaire de la Peur, his debut couldn't be better, it's a magnific picture, a true perfect blend of crime, thriller and sophisticated comedy, all in high profile, the plot summary is about a serial killer who was haunting Paris, he authorities are gonna crazy and that impose an ultimate to French Police department, a short time to catch this killer self-called Mr. Durant, the skillful Inspector Wess having an information of the hideout of the killer at decaying pension at bad area, he introduces himself as a Pastor hoping get some clues to reach on the killer, there are many potential suspects, between comings and goings he reach in a killer, nevertheless all fall down even in jail another crime was committed by Mr. Durant, fabulous picture and an unexpected ending!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 8.5