In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. ... See full summary »
A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ... See full summary »
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in the middle of the boss's scheme. Army conscription offers Robert the perfect escape from his troubles- or does it?Written by
Diana Hamilton <email@example.com>
The language that Swivel Tongue (Cliff Nazarro) uses was called "double talk" and was a popular fad during WW2. See more »
As Fred Astaire and Robert Benchley are discussing the upcoming show they pass several soldiers who are working with shovels. Though the soldiers are supposed to be breaking up clods and smoothing the dirt the shovels never come within six inches of the ground. See more »
My condition is only so-so, Cause whenever I feel you're close, oh, You turn out to be, Oh, so far...
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The opening credits are presented as a series of roadside advertising signs observed by one of the characters. See more »
Hayworth seems a bit too "grand" for Astaire's self-effacing style...
Released shortly before America's entry into the war, Columbia's "You'll Never Get Rich" is one of Fred Astaire's better films during the relatively dry period that extended from his last RKO film with Ginger Rogers to his first films at MGM
Since leaving RKO and Ginger Rogers, Astaire had danced with Eleanor Powell in "Broadway Melody of 1940" and with Paulette Goddard in "Second Chorus."
In "You'll Never Get Rich," he had a new partner in Rita Hayworth: a lushly beautiful redheaded actress who was being prepared for stardom in mostly low-budget films She was a talented dancer who had worked with her family for many years in a vaudeville act called the Dancing Casinos
"You'll Never Get Rich" cast Astaire as Robert Curtis, a Broadway dance director who is drafted into the army He becomes involved in an on-again, off-again romance with Sheila Winthrop (Hayworth), a beautiful chorus girl whose fiancé is a captain in the army The not-very-interesting plot is often interrupted for musical interludes Astaire and Hayworth dance together twiceto the sensuous Latin beat of "So Near and Yet So Far," and in "The Wedding Cake Walk," a military finale which has a chorus of war brides and soldiers, plus the two stars, dancing atop a huge tank
Astaire and Hayworth make an attractive dance team, although Hayworth seems a bit too formidable, too "grand" for Astaire's self-effacing style . Astaire also has several numbers without Hayworth: most notably, a dance in a guardhouse to the song "Since I Kissed My Baby Goodbye," in which he combines several kinds of dazzling footwork
"You'll Never Get Rich" is lightweight but amiable entertainment, and it kept Astaire dancing
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