This series was about a somewhat grumpy and uptight banker, Cosmo Topper, and the ghosts which only he could see or hear, George and Marion Kerby. The Kerbys would often try to get Cosmo to... See full summary »
Leo G. Carroll
This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed its depiction of sex and actresses' ... See full summary »
Butch Saunders has been transferred to Missing Persons because he was too brutal in other police work. He regards the assignment as "kindergarten" work. When a young woman asks him to help ... See full summary »
Topper is once again tormented by a fun-loving spirit. This time, it's Joan Blondell, who was accidentally murdered while vacationing at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper's help, Joan sets out to find her killer with the expected zany results.Written by
Daniel Bubbeo <email@example.com>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
When Bob the cab driver goes after Ann's attacker on the balcony, his hair is messed up by the wind, but when he comes back in and confronts Lillian the housekeeper, his hair is neatly combed. See more »
This young lady owes me for a taxi cab ride. I came here to collect it, she asked me up to this room, I heard her scream, and... walked into the middle of an Orson Welles broadcast.
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I agree with the comments that this 1941 "sequel" to the 1937 classic is actually a better film despite the absence of Cary Grant. This movie is loaded with talented people - Joan Blondell, Roland Young, Carole Landis, Billie Burke, George Zucco, Patsy Kelly, Eddie Anderson, Dennis O'Keefe, Rafela Ottiano, all of whom have their moments to shine. Blondell is the only bona fide major movie star in the group but it's very much an ensemble cast picture in a way you don't often see in movies from the period. Mainly a slapstick comedy, it works as a mystery too, I was surprised by the murderer's identity. Anderson and Burke are particularly funny and Blondell is a delight, very sassy and very sexy, she looks a few pounds heavier than in her 1930's Warner Bros. films but those extra curves look sensational on her, making her more Mae West-like than ever.
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