Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one day in the doctor's waiting room she meets pianist Alexander Sebastian, who's even more confused than she is. Can this marriage be saved? Larry has a plan that is pure Lubitsch...Written by
Rod Crawford <firstname.lastname@example.org>
Ernst Lubitsch and Sol Lesser had formed a partnership, Ernst Lubitsch Productions, Inc., but it was dissolved when this movie did poorly at the box office. See more »
When Jill first goes to see Dr. Vangard, as he starts to sit down at his desk, his left hand is on the arm of the chair. In the next shot, still in the process of sitting down, his left hand is now up on his desk. See more »
Merle Oberon and Melvyn Douglas deal with "That Uncertain Feeling," a 1941 Ernst Lubitsch film based on a Sardou play. It's actually a remake of a silent Lubitsch, "Kiss Me Again." The film also stars Burgess Meredith and Eve Arden.
Jill Baker (Oberon) is married to a successful businessman, Larry Baker (Douglas), but after six years, the bloom is off the rose. She goes to a psychiatrist, where, in the waiting room, she meets an opinionated pianist, Alexander Sebastian (Meredith), who introduces her to the world of art and music. She becomes fascinated with the world of culture and with him. Before you know it, Oberon and Douglas are divorcing, and Oberon and Meredith become engaged.
The best scene occurs in the divorce attorney's office, when the secretary, Sally (Eve Arden) is asked to take a letter. In reality, she's supposed to witness Larry slapping Jill to help them get their divorce.
There are some nice things in this film, including the bright performances of the leads, particularly the beautiful Oberon, whose presence shone in many a film.
All in all, a disappointing Lubitsch, but Oberon's charm is quite special and always worth seeing.
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