A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock.Written by
Bob Doolittle <Bob.Doolittle@east.sun.com>
Anthony Mann was Preston Sturges assistant on the film. He recalled, "I'd stage a scene and he'd tell me how lousy it was. Then I watched the editing, and I was able to gradually build up knowledge. Preston insisted I make a film as soon as possible. He said it's better to have done something bad than to have done nothing." See more »
John was sentenced for hitting the railway man with a stone. It seems this sentence would still hold even if he was Hollywood director. See more »
You see, sir, rich people and theorists - who are usually rich people - think of poverty in the negative, as the lack of riches - as disease might be called the lack of health. But it isn't, sir. Poverty is not the lack of anything, but a positive plague, virulent in itself, contagious as cholera, with filth, criminality, vice and despair as only a few of its symptoms. It is to be stayed away from, even for purposes of study. It is to be shunned.
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In the opening credits, the Paramount logo is depicted as a seal on a package wrapped in brown paper. The package is opened, revealing a book with the title of the movie. The pages are turned to show the credits. See more »
As a professional circus clown for twenty years,I think that Sullivan's Travels is the best, most lucid, explanation of what comedy is all about that has ever been made. Sure it's hokey, corny, contrived, and meandering. But so is all great comedy, from Shakespeare to Seinfeld! If you want your comedy to be tightly constructed, meaningful, unambiguous, and logical, then you do not want comedy at all -- you want some stuffy college professor's idea of What is Comedy for a term paper.
The glorious truth is that you cannot domesticate great comedy. It occurs on no regular basis, from no reliable source, and is accountable to no one for what it says and does. Preston Sturges wanted to make that point in Sullivans Travels and he does so exceedingly well with everything from slapstick frolics in the land cruiser to fleas in the bed to hectoring soliloquies about poverty from the butler.
Ten years before Chaplin tried to explain the same thing in his movie Limelight, Sturges tells a tale meant to both hearten and cozen us. It heartens us to know that a cynical, moneygrubbing place like Hollywood will continue to spin out comedies, because they make money. And it cozens us into thinking there is something magical about comedians. Anyone who has ever actually known or been married to a professional funnyperson knows they are by turns grumpy, lazy, tempermental, stubborn, and always insecure. Not the life of the party. But so what? They're clowns, god bless 'em, and that's all that counts.
You'll never understand the craft of humor if you don't watch, and love, Preston Sturges Sullivan's Travels!
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