Sullivan's Travels (1941)

A director of escapist films goes on the road as a hobo to learn about life, which gives him a rude awakening.

Director:

Preston Sturges

Writer:

Preston Sturges

Stars:

Joel McCrea, Veronica Lake, Robert Warwick

2 wins.

Cast

Cast overview, first billed only:
Joel McCrea	...	John L. Sullivan
Veronica Lake	...	The Girl
Robert Warwick	...	Mr. LeBrand
William Demarest	...	Mr. Jones
Franklin Pangborn	...	Mr. Casalsis
Porter Hall	...	Mr. Hadrian
Byron Foulger	...	Mr. Valdelle
Margaret Hayes	...	Secretary
Robert Greig	...	Sullivan's Butler
Eric Blore	...	Sullivan's Valet
Torben Meyer	...	The Doctor
Victor Potel	...	Cameraman
Richard Webb	...	Radio Man
Charles R. Moore	...	Colored Chef (as Charles Moore)
Almira Sessions	...	Ursula

Storyline

Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock.

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Plot Keywords:

bindle stick | filmmaking | national film registry | falling from a train | church congregation | 

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Taglines:

Veronica Lake's on the take.

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Genres:

Adventure | Comedy | Drama | Romance

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

6 February 1942 (USA)

Also Known As:

Sullivan's Travels

Filming Locations:

Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA

Box Office

Budget:

$689,665 (estimated)

Cumulative Worldwide Gross:

$10,249

Company Credits

Production Co:

Paramount Pictures

Technical Specs

Runtime:

90 min 85 min (TV premiere)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

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Goofs

When Sullivan and The Girl enter the giant communal sleeping room with the other tramps, the sign on the wall behind them mentions writing a letter to your mother. The sign is still there when the cook comes to wake them up, but in wide shots, the sign moves further left and a different sign is in its place.

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Quotes

John L. Sullivan: [to the girl] Why don't you go back to the car? You look as much like a boy as Mae West.

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Crazy Credits

In the opening credits, the Paramount logo is depicted as a seal on a package wrapped in brown paper. The package is opened, revealing a book with the title of the movie. The pages are turned to show the credits.

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Connections

Featured in American Dreams: One in a Million (2004)

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Soundtracks

Spring Song
(1844) (uncredited)
Written by Felix Mendelssohn-Bartholdy
Played as part of the score when Sullivan starts his experiment
Reprised when he starts a second time

User Reviews

A celebration of the healing power of comedy

As a professional circus clown for twenty years,I think that Sullivan's Travels is the best, most lucid, explanation of what comedy is all about that has ever been made. Sure it's hokey, corny, contrived, and meandering. But so is all great comedy, from Shakespeare to Seinfeld! If you want your comedy to be tightly constructed, meaningful, unambiguous, and logical, then you do not want comedy at all -- you want some stuffy college professor's idea of What is Comedy for a term paper.

The glorious truth is that you cannot domesticate great comedy. It occurs on no regular basis, from no reliable source, and is accountable to no one for what it says and does. Preston Sturges wanted to make that point in Sullivans Travels and he does so exceedingly well with everything from slapstick frolics in the land cruiser to fleas in the bed to hectoring soliloquies about poverty from the butler.

Ten years before Chaplin tried to explain the same thing in his movie Limelight, Sturges tells a tale meant to both hearten and cozen us. It heartens us to know that a cynical, moneygrubbing place like Hollywood will continue to spin out comedies, because they make money. And it cozens us into thinking there is something magical about comedians. Anyone who has ever actually known or been married to a professional funnyperson knows they are by turns grumpy, lazy, tempermental, stubborn, and always insecure. Not the life of the party. But so what? They're clowns, god bless 'em, and that's all that counts.

You'll never understand the craft of humor if you don't watch, and love, Preston Sturges Sullivan's Travels!