Bijou, a saloon singer with a reputation for inciting brouhahas, is one of several deportees from a south Pacific island to arrive at another U.S. protectorate, Boni Komba. She becomes very... See full summary »
Charles 'Pittsburgh' Markham rides roughshod over his friends, his lovers, and his ideals in his trek toward financial success in the Pittsburgh steel industry, only to find himself ... See full summary »
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each ... See full summary »
Young Matt Masters, an Ozark Mountains moonshiner, hates the father he has never seen, who apparently deserted Matt's mother and left her to die. His obsession contributes to the hatred rampant in the mountains. However, the arrival of a stranger, Daniel Howitt, begins to positively affect the mountain people, who learn to shed their hatred under his gentle influence. Still, Matt does not quite trust Howitt.....Written by
Jim Beaver <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
At the end of the fight between Young Matt and Wash Gibbs when Sammy leans down to check on Matt, she is clearly wearing a fur lined moccasin, but immediately before and after, she is barefooted. See more »
The bigger the man, the deeper the imprint. And when he's in love, he suffers knowing it's a dead end.
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The Henry Hathaway-directed 1941 Shepherd Of the Hills is worth seeing if for nothing else its color, which is as glorious and gorgeous as one will find in a film. Each outdoor shot is like a landscape painting. Along with Gone With the Wind and The Four Feathers, this is the finest use of color I have seen in a movie, and it should be used as a textbook on how to shoot a film in color. Otherwise, the picture is just a pleasing and old-fashioned revenge tale, adapted from a now forgotten novel, and set in the Ozark Mountains at about the turn of the twentieth century. It is nicely written in the idiom of the mountain folk, and features John Wayne in an early, rare non-western role, which he handles proficiently. Betty Field is his spunky love interest in what would now be an Amy Madigan part. Miss Field is lovely in a non-conventional way; she shines as never before or since. The combination of her quiet, almost mousy beauty in an otherwise talky, assertive role is fascinating to watch. Also on hand are Beulah Bondi, Ward Bond, Marc Lawrence, who gives an amazing performance, and Harry Carey, whose pleasantness and plainness I find tiring, though I suppose he's well-cast. There's a ritualistic feeling to the film, with its clearly defined notions of good and evil, the almost formally informal dialect the characters use, the leisurely, strolling pace by which the story unfolds, all contribute to its pastoral quality. The chief problem is that there's no suspense. One senses early on how the thing is going to end, and the characters behave as one would expect.
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