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The Shepherd of the Hills (1941)

Approved | | Adventure, Drama, Romance | 18 July 1941 (USA)
A mysterious stranger arrives in the Missouri hills and befriends a young backwoods girl. Much to the dislike of her moonshiner fiancé who has vowed to find and kill his own father.

Director:

Henry Hathaway

Writers:

Harold Bell Wright (novel), Grover Jones (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
John Wayne ... Young Matt Matthews
Betty Field ... Sammy Lane
Harry Carey ... Daniel Howitt
Beulah Bondi ... Aunt Mollie Matthews
James Barton ... Old Matt Matthews
Samuel S. Hinds ... Andy Beeler
Marjorie Main ... Granny Becky
Ward Bond ... Wash Gibbs
Marc Lawrence ... Pete Matthews
John Qualen ... Coot Royal
Fuzzy Knight ... Mr. Palestrom
Tom Fadden ... Jim Lane
Olin Howland ... Corky
Dorothy Adams ... Elvy
Virita Campbell Virita Campbell ... Baby
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Storyline

Young Matt Masters, an Ozark Mountains moonshiner, hates the father he has never seen, who apparently deserted Matt's mother and left her to die. His obsession contributes to the hatred rampant in the mountains. However, the arrival of a stranger, Daniel Howitt, begins to positively affect the mountain people, who learn to shed their hatred under his gentle influence. Still, Matt does not quite trust Howitt..... Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

He Tamed Their Wild Hearts With His Courage and Won Them With His Love See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

18 July 1941 (USA) See more »

Also Known As:

Destino de sangre See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Goofs

At the end of the fight between Young Matt and Wash Gibbs when Sammy leans down to check on Matt, she is clearly wearing a fur lined moccasin, but immediately before and after, she is barefooted. See more »

Quotes

Young Matt: The bigger the man, the deeper the imprint. And when he's in love, he suffers knowing it's a dead end.
See more »

Connections

Remake of The Shepherd of the Hills (1928) See more »

Soundtracks

Wiegenlied
(uncredited)
Music by Johannes Brahms
See more »

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User Reviews

 
The Gorgeous Technicolor Ozarks
8 April 2001 | by telegonusSee all my reviews

The Henry Hathaway-directed 1941 Shepherd Of the Hills is worth seeing if for nothing else its color, which is as glorious and gorgeous as one will find in a film. Each outdoor shot is like a landscape painting. Along with Gone With the Wind and The Four Feathers, this is the finest use of color I have seen in a movie, and it should be used as a textbook on how to shoot a film in color. Otherwise, the picture is just a pleasing and old-fashioned revenge tale, adapted from a now forgotten novel, and set in the Ozark Mountains at about the turn of the twentieth century. It is nicely written in the idiom of the mountain folk, and features John Wayne in an early, rare non-western role, which he handles proficiently. Betty Field is his spunky love interest in what would now be an Amy Madigan part. Miss Field is lovely in a non-conventional way; she shines as never before or since. The combination of her quiet, almost mousy beauty in an otherwise talky, assertive role is fascinating to watch. Also on hand are Beulah Bondi, Ward Bond, Marc Lawrence, who gives an amazing performance, and Harry Carey, whose pleasantness and plainness I find tiring, though I suppose he's well-cast. There's a ritualistic feeling to the film, with its clearly defined notions of good and evil, the almost formally informal dialect the characters use, the leisurely, strolling pace by which the story unfolds, all contribute to its pastoral quality. The chief problem is that there's no suspense. One senses early on how the thing is going to end, and the characters behave as one would expect.


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