After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
As Julie prepares to leave her husband Roger, she begins to play through a stack of recordings, each of which reminds her of events in their lives together. One of them is the song that was playing when she and Roger first met in a music store. Other songs remind her of their courtship, their marriage, their desire for a child, and the joys and sorrows that they have shared. A flood of memories comes back to her as she ponders their present problems and how they arose.Written by
Cary Grant and Irene Dunne are very good in this bittersweet romance, mainly made up of flashbacks with the links between them being records from the past played by Dunne. We see the couple through their first meeting, marriage, move abroad, and so on. The central thread of the story is when they adopt a baby girl, Trina, who fills the void in their marriage. When Trina dies as a child it seems there is nothing more to hold them together.
Edgar Buchanan is excellent as uncle Applejack, the printer who knows how to handle babies, and the little girl playing Trina is cutesy cute in the nativity play scene. Grant's best moment is in the judge's office when he pleads to be allowed to keep his adopted daughter (because she isn't like an automobile you take back when you can't keep up the payments). The ending however is weak; another baby is found for them to adopt and all their troubles are over. This feels rushed and doesn't really work. Otherwise, a well put together film which is typical of the time it was made.
10 of 12 people found this review helpful.
Was this review helpful to you?
| Report this