Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wonderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wonderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon.Written by
The unusual cigarette lighter that graces the desk of Sam Spade (Humphrey Bogart) is a Ronson Touch-Tip table model. Made by the Ronson Co. from 1935-51, it is a classic example of the "art deco" style that dominated that era. Originals are so sought after by collectors that at least one company now exists that is entirely dedicated to restoring original examples to full working order. See more »
(at around 54 mins) In their first meeting, Spade tells Gutman that he has until 5:00 to make up his mind. Later, when Wilmer lets Spade know that Gutman is ready to talk, Spade says "I didn't expect you until 5:25," which would have been twenty-five minutes after the deadline had passed (in the novel, the deadline is 5:30). See more »
With a fine combination of cast, characters, story, and atmosphere, this classic is one of the most entertaining films of its kind, enjoyable even after several viewings. It gets you right into the action and introduces you to a list of interesting personalities, who mesh together nicely and who are also matched well with the cast members. Beyond that, it's also effective as a character study involving greed, trust and distrust, and conflicting ethics.
Sam Spade is an ideal role for Bogart, giving him plenty to work with and some very good dialogue as well. Peter Lorre and Sydney Greenstreet are very entertaining, providing suitable foils for Bogart, and they really take the film up a notch. The rest of the cast also works well (worth mentioning is Elisha Cook, Jr., whose character doesn't do a lot, but who provides Bogart with some very amusing moments at his expense). The story is nicely adapted from the novel, and each scene is constructed well, with everything moving along nicely from start to finish.
If you are a fan of either film noir or mysteries, make this a must-see. There are very few films that work as well as "The Maltese Falcon".
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