The Maltese Falcon (1941)

A private detective takes on a case that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette.

Director:

John Huston

Writers:

John Huston (screen play by), Dashiell Hammett (based upon the novel by)

Stars:

Humphrey Bogart, Mary Astor, Gladys George

Top Rated Movies #227 | Nominated for 3 Oscars. Another 4 wins.

Cast

Complete credited cast:
Humphrey Bogart	...	Samuel Spade
Mary Astor	...	Brigid O'Shaughnessy
Gladys George	...	Iva Archer
Peter Lorre	...	Joel Cairo
Barton MacLane	...	Lt. of Detectives Dundy
Lee Patrick	...	Effie Perine
Sydney Greenstreet	...	Kasper Gutman
Ward Bond	...	Detective Tom Polhaus
Jerome Cowan	...	Miles Archer
Elisha Cook Jr.	...	Wilmer Cook
James Burke	...	Luke
Murray Alper	...	Frank Richman
John Hamilton	...	Bryan

Storyline

Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wonderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wonderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon.

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Plot Keywords:

private detective | murder | taxi | private eye | maltese falcon | 

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Taglines:

A story as EXPLOSIVE as his BLAZING automatics!

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Genres:

Film-Noir | Mystery

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

18 October 1941 (USA)

Also Known As:

The Gent from Frisco

Filming Locations:

Bush Street, San Francisco, California, USA

Box Office

Budget:

$375,000 (estimated)

Gross USA:

$2,108,060

Cumulative Worldwide Gross:

$3,862,960

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

100 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Warner Baxter, Brian Donlevy, Melvyn Douglas, Henry Fonda, Preston Foster, Fred MacMurray, Fredric March, Robert Montgomery, Paul Muni, Lloyd Nolan, Anthony Quinn, Edward G. Robinson, Franchot Tone and Richard Whorf were considered for Sam Spade.

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Goofs

(at around 51 mins) When Sam first goes to see Gutman in 12C, as he walks down the corridor we can see that directly in front of him is a chair, a table with flowers on and a silhouette of a diamond framed window and the flowers on the wall, but when he leaves we can see two chairs either side of the table and the diamond frame silhouette is not there.

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Quotes

[first lines]
Sam Spade: Yes, sweetheart?
Effie Perine: There's a girl wants to see you. Her name's Wonderly.
Sam Spade: Customer?
Effie Perine: I guess so. You'll want to see her anyway. She's a knockout.
Sam Spade: Shoo her in, Effie darling, shoo her in.

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Alternate Versions

Also available in a computer colorized version.

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Connections

Referenced in Charmed: Charmed Noir (2004)

User Reviews

The best detective story.

I love this movie. I didn't love it until I'd watched it a couple of times.

And I didn't love it quite so much until I'd read Harvey Greenberg's "Movies on Your Mind."

But I now think that, within the strictures of its budget, it's about as good as it can get. Sam Spade is a marvelous character in this film. He gives practically nothing away, while gathering information from others simply by letting them talk, kind of like a shrink.

And it's hard to believe that they could have found a cast that fit the templates of the novel so perfectly. Sidney Greenstreet IS the "fat man." Peter Lorre IS the queer. My nomination for best scene: When Greenstreet attempts to peel off the black enamel from the captured bird and finds that it's nothing but lead and begins to hack away at it, as if it were alive and he were trying to kill it. Nothing is more amusing than a fat man lipid with rage.

If you see this one, and I hope you do, make note of the phenomenal black and white photography. (I hope you have a good connection.) Watch, for instance, the glissade of the camera when Bogart says, "You have brains. Yes, you do."

In case you're worried about this being too sophisticated for enjoyment by an ordinary audience, I should mention that I showed this (in one connection or another, I forget) to a class of Marines at Camp Lejeune. They enjoyed the hell out of it, especially the scene in which Mary Astor kicks Peter Lorre in the shins.

Don't miss it.