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Love on the Dole (1941)

Approved | | Drama | 12 October 1945 (USA)
During the depression in England, a young lady from Lancashire decides to be a rich bookmaker's mistress, just to help the rest of her family who are unemployed.

Director:

John Baxter

Writers:

Walter Greenwood (novel), Ronald Gow (play) | 3 more credits »
Reviews
1 nomination. See more awards »

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Cast

Complete credited cast:
Deborah Kerr ... Sally Hardcastle
Clifford Evans ... Larry Meath
George Carney ... Mr. Hardcastle
Mary Merrall ... Mrs. Hardcastle
Geoffrey Hibbert Geoffrey Hibbert ... Harry Hardcastle
Joyce Howard ... Helen Hawkins
Frank Cellier ... Sam Grundy
Martin Walker Martin Walker ... Ned Narkey
Maire O'Neill Maire O'Neill ... Mrs. Dorbell
Iris Vandeleur Iris Vandeleur ... Mrs. Nattle
Marie Ault ... Mrs. Jike
Marjorie Rhodes Marjorie Rhodes ... Mrs. Bull
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Storyline

During the depression in England, a young lady from Lancashire decides to be a rich bookmaker's mistress, just to help the rest of her family who are unemployed. Written by S.W.P.er

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

12 October 1945 (USA) See more »

Also Known As:

De stängda portarna See more »

Company Credits

Production Co:

British National Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Ultra Violet Recording)

Color:

Black and White (Sepia)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

First film of Yvonne Mitchell. See more »

Quotes

Sally: I thought I'd have been married by now.
Mrs. Bull: Huh! You've not missed much by missing that. Yer marry for love an' find you've let yourself in for a seven day a week job with no pay. An' yer don't find it out 'till it's too late.
See more »

Connections

Remade as ITV Play of the Week: Love on the Dole (1967) See more »

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User Reviews

 
Deborah Kerr's first starring role
6 May 2012 | by drednmSee all my reviews

This 1941 British film was believed lost for decades. Where a copy was finally found I have no idea. But let's be thankful this grim and gritty film survives for 2 reasons: it's Deborah Kerr's first starring role in a film, and the chronicle of slum-life outside Manchester in 1930 is beautifully done.

Kerr plays Sally, a teenager who lives with her parents and her 17-year-old brother (Geoffrey Hibbert). The family makes do as the Depression goes along with the kids more worried about love and marriage than earning a living. But then the father's work week is cut to 3 days and the son is let go after he finishes his apprenticeship.

Kerr's idealistic boyfriend gets killed in a street riot when the government starts cutting back on unemployment checks and welfare. The son's girlfriend gets pregnant but no one can afford to feed and care for the youngsters.

As things gets worse and worse, Kerr finally gives in to a wealthy bookie (Frank Cellier) and becomes his "housekeeper" with a promise to get jobs for her father and brother. Kerr is shunned by the neighbors, her reputation is ruined, but the family survives.

Amid the grim surroundings are some wonderful vignettes. The son wins some money on a horse race, but instead of saving it he does as his father suggests and blows the money on a trip for him and his girl friends to Blackpool. As the father says, it'll give him something wonderful to look back on all his life.

Another subplot concerns a gaggle of old ladies, led by an agent for a pawn shop who measures out sharp advice along with shots of booze at threepence a drink. They serve as a sort of Greek Chorus, making comments on everything that happens in the neighborhood.

Kerr, at age 20, radiates warmth despite the harsh story. Hibbert is also excellent as the stoic brother. George Carney and Nary Merrall score as the hapless parents. Clifford Evans plays the doomed boy friend. Marie Ault, Marjorie Rhodes, Maire O'Neill, and Iris Vandeleur are terrific as the old ladies. The final speech, given by Merrall is a high point of the film. Joyce Howard is the pregnant girl friend.

I suppose there are many similarities between this story and Steinbeck's GRAPES OF WRATH. What struck me, however, is how the political story of the working poor in 1930s England has so many parallels to our current recession.

This is one to search for.


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