Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ... See full summary »
The Runeberg family is an ordinary middle class family, with a house in a suburb, a car and three children. By vacationing in a rented house by the sea, the hope is that the tension and ... See full summary »
Returning from a year up the Amazon studying snakes, the rich but unsophisticated Charles Pike meets con-artist Jean Harrington on a ship. They fall in love, but a misunderstanding causes them to split on bad terms. To get back at him, Jean disguises herself as an English lady, and comes back to tease and torment him.Written by
John Oswalt <email@example.com>
In 1939, Preston Sturges consulted with producer Albert Lewin about his early script and, among several criticisms, Lewin responded that he felt that "the first two-thirds of the script, in spite of the high quality of your jokes, will require an almost one hundred percent rewrite." Lewin reasoned that the sequences showing "Charles" as being "inordinately fond of snakes" served no purpose and "should be ruthlessly excised." Sturges responded with a letter in which he agreed that the sequences as yet had no connection to the rest of the film, but he adamantly stood by them. In his follow-up letter, Lewin "surrender[ed] unconditionally" to Sturges's judgment, and added the following: "Follow your witty nose, my boy; it will lead you and me and Paramount to the Elysian pastures of popular entertainment." See more »
When Jean is looking at Charles in the mirror, what she sees is the right way round (you can clearly see this by looking at the cover of Charles' book). See more »
Don't you like my perfume?
Like it? I'm cockeyed on it.
Why, Hopsi, you aught to be kept in a cage.
See more »
A very large cartoon snake displays the opening credits while twining around an apple tree. See more »
One of my favorite films of the forties and, I believe, one of Barbara Stanwyck's best. Fonda also gets a chance to show some comedic chops as well as the foil for her Eve. It's apparent everyone involved knows they're in something good and enjoys it - Eugene Palette as Fonda's wealthy Father, William Demarest(think Uncle Charlie in My Three Sons)in one of his best supporting roles as Fonda's crusty valet, and Charles Coburn and Eric Blore doing brilliant comic character turns as card sharks on Eve's side. Stanwyck hadn't really cared about clothes before(see Mad Miss Manton) but this time Edith Head came up with some innovations that suddenly made her a fashion hit as well. Her bolero jackets, evening dresses, wedding gown and cap hats were big fashion successes, tailored to Stanwyck's tiny form. But the real star is the sparkling dialogue, delivered flawlessly by everyone. Plenty of one liners, double entendres and an incredibly sexy seduction in one long take where Stanwyck simply toys with Fonda's hair as he reclines, uncomfortably, on the floor beside her. There are other scenes - Stanwyck sizing up the room with commentary as seen thru her makeup mirror...the dinner party where Fonda can't get over how much Eve looks like the girl he left on the ship...a sequence where Fonda's horse started to move in on a romantic scene so Sturges rewrote and reshot other parts, making Fonda the foil of the intrusive horse. See if you can spot the take where the horse actually nibbles on Fonda and watch Stanwyck glide thru it all like a pro. BRILLIANT film -- can't recommend it highly enough - five stars of five - MDMPHD:>
40 of 52 people found this review helpful.
Was this review helpful to you?
| Report this