IMDb RATING
7.0/10
3.2K
YOUR RATING
The step-daughter of a district attorney falls in love with a gangster on parole who her father originally imprisoned.The step-daughter of a district attorney falls in love with a gangster on parole who her father originally imprisoned.The step-daughter of a district attorney falls in love with a gangster on parole who her father originally imprisoned.
IMDb RATING
7.0/10
3.2K
YOUR RATING
- Director
- Writers
- John Lee Mahin(screen play)
- James Edward Grant(screen play)
- Stars
- Director
- Writers
- John Lee Mahin(screen play)
- James Edward Grant(screen play)
- Stars
- Won 1 Oscar
- 1 win total
Joe Downing
- Ryan
- (as Joseph Downing)
- Director
- Writers
- John Lee Mahin(screen play)
- James Edward Grant(screen play) (based on an original story by)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaRobert Taylor fell in love with Lana Turner on the set of the film and asked divorce to his wife Barbara Stanwyck, although Turner was not in love with him and tried to discourage him from divorce.
- GoofsDuring the climactic shoot out at the end 4 gunmen produce 5 revolvers for 30 shots total. The 1st man goes down after firing 2 shots. Of the 28 available shots left the actors fire over 34 rounds without reloading. The main culprit is Johnny that produced a 2nd gun after 6 shots but gun #2 fires at least 9 times.
- Quotes
Johnny Eager: Oh, now don't turn ordinary on me. I get tired of ordinary dames. And I don't want to get tired of you.
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
- SoundtracksMelancholy
(1911) (uncredited)
(Also known as "Melancholy Baby" and "My Melancholy Baby")
Music by Ernie Burnett
Played during the opening and closing credits
Played as dance music by the band at Tony Luce's place
Played as background music often
Review
Featured review
Cabbie by day, gangster by night, and hunk - always!
Robert Taylor is a reformed gangster on parole at the beginning of "Johnny Eager." After meeting with his parole officer and two sociology students - one of whom is the gorgeous Lana Turner - Johnny transforms himself into the gangster he has remained. It's in this identity that he runs into Turner again at a nightclub. The gangster interests her more than the cabbie. Little does he know, her father is the prosecutor who has an injunction to keep a dog track from opening in which Johnny has a financial stake.
According to Lana Turner, she and Taylor flirted and made out, and Taylor told Stanwyck he wanted a divorce. Turner didn't want to break up the marriage and told Taylor it was no go. Stanwyck, however, never spoke to Turner again. Turner and Taylor make a beautiful couple and they sizzle on screen.
Both turn in excellent performances. Turner plays a love-struck, vulnerable young woman who will do anything to protect her man - she's great. Taylor, sporting a mustache, is terrific as Johnny - a goody two shoes around his parole officer, a mean, selfish tough guy around everyone else. He has no idea how to love or to be loved.
Van Heflin won an Oscar for Best Supporting Actor as Johnny's friend Jeff, an alcoholic philosopher and Johnny's conscience. Heflin plays up the sensitivity of Jeff and his love for Johnny, giving the role gay overtones. He is fantastic.
If you're under the impression that Taylor and Turner were just two of Hollywood's non-acting pretty people, think again. During their careers, both played many worthwhile roles and played them well. If the critics dismissed them because of their looks, or in Turner's case, the headlines she garnered in her private life, too bad, but the audience always got their money's worth with these two pros.
Wonderful film!
According to Lana Turner, she and Taylor flirted and made out, and Taylor told Stanwyck he wanted a divorce. Turner didn't want to break up the marriage and told Taylor it was no go. Stanwyck, however, never spoke to Turner again. Turner and Taylor make a beautiful couple and they sizzle on screen.
Both turn in excellent performances. Turner plays a love-struck, vulnerable young woman who will do anything to protect her man - she's great. Taylor, sporting a mustache, is terrific as Johnny - a goody two shoes around his parole officer, a mean, selfish tough guy around everyone else. He has no idea how to love or to be loved.
Van Heflin won an Oscar for Best Supporting Actor as Johnny's friend Jeff, an alcoholic philosopher and Johnny's conscience. Heflin plays up the sensitivity of Jeff and his love for Johnny, giving the role gay overtones. He is fantastic.
If you're under the impression that Taylor and Turner were just two of Hollywood's non-acting pretty people, think again. During their careers, both played many worthwhile roles and played them well. If the critics dismissed them because of their looks, or in Turner's case, the headlines she garnered in her private life, too bad, but the audience always got their money's worth with these two pros.
Wonderful film!
helpful•234
- blanche-2
- Aug 15, 2006
Details
Box office
- Budget
- $651,000 (estimated)
- Runtime1 hour 47 minutes
- Color
- Aspect ratio
- 1.37 : 1
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