Peggy is 21 and bored. She has just been awarded a certificate for starting work on time for 1000 days. She decides that she needs a change so she leaves a note, which is taken to be ... See full summary »
Mary Stevens (Kay Francis) and her old friend Don Andrews (Lyle Talbot) find themselves graduating from medical school at the same time. They decide to set up their respective medical ... See full summary »
Ruthless hood Johnny Eager is pretending to his parole officer that he has chucked the rackets and is now a full-time taxi driver. In fact, he's as deep in as he ever was and desperately needs official permission to open his new dog track. When he meets up with Lisbeth Bard, he finds he not only has a stunning new girlfriend but a possible way to get his permit.Written by
Jeremy Perkins <email@example.com>
When Garnet tells Johnny that Jeff has called him "Herod Agrippa", he is referring to the last King of Judea who reigned from 41-44 AD. She also states Jeff called her Johnny's "enamorada", which is the Spanish feminine noun for "lover". See more »
In the scene where Johnny is asking Benjy about the cop that won't let him put in slot machines, Benjy hands him a note with the cop's badge number (#711) on it which he unfolds before handing to Johnny. Then we see Johnny unfolding it again. See more »
(Also known as "Melancholy Baby" and "My Melancholy Baby")
Music by Ernie Burnett
Played during the opening and closing credits
Played as dance music by the band at Tony Luce's place
Played as background music often See more »
A parolee masquerades as a cabby while running a dog racing track on the side. As the film opens, he has an interview with his parole officer, and then goes to the track, which is under an injunction from the D. A. who had sent him to prison in the first place and who's step-daughter (Lana Turner) he later falls in love with, enters the exterior of his office, puts on one of his expensive sport coats, and becomes the head of a rather extensive gambling racket. For doubters of Robert Taylor, this could make them believers as he rises well above this fantasy like story that wants to be a tough crime drama but refuses to be gritty enough to sink into a convenient gutter. Nonetheless, Taylor puts a lot of punch into his part, outshining the film's Oscar winner Van Heflin, who plays his heavy drinking philosophizing associate.
9 of 12 people found this review helpful.
Was this review helpful to you?
| Report this