Life is hard in a Welsh mining town and no less so for the Morgan family. Seen through the eyes of the family's youngest, Huw, we learn of the family's trials and tribulations. Family patriarch Gwilym and his older sons work in the mines, dangerous and unhealthy as it is. Gwilym has greater hopes for his youngest son, but Huw has his own ideas on how to honor his father. Daughter Angharad is the most beautiful girl in the valley and is very much in love with Mr. Gruffydd, who isn't sure he can provide her the life she deserves. Times are hard and good men find themselves out of work and exploited by unseen mine owners.Written by
After the whistle blows about another mine accident, the mother runs out with her daughter-in-law Bronwyn. When she starts to run, and in the first shot at the mine, she has no scarf, neither on her head nor around her shoulders. By the second shot, she suddenly has a black scarf on her shoulders, which she later puts on her head for the iconic line about seeing her husband and her late son Ivor in heaven with God. But this scarf just materialized out of nowhere. See more »
Everything I ever learnt as a small boy came from my father, and I never found anything he ever told me to be wrong or worthless. The simple lessons he taught me are as sharp and clear in my mind as if I had heard them only yesterday.
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The British version of this film was narratted by Rhys Williams instead of Irving Pichel See more »
This moving film has become part of the all-time American classics, and rightly so. It is a beautifully conceived and executed adaptation of a beloved novel.
One of John Ford's finest hours, it is magnificently staged and shot, with a lovely score (by Alfred Newman) and rich performances, headed by Walter Pidgeon, Maureen O'Hara and Roddy McDowall.
That it was made on a fairly limited budget and filmed entirely on the 20th Century back lot is little short of amazing. Its truly great, sprawling set seems to be the real thing: a actual coal mining town.
Ford's attention to careful group blocking and staging of tableau adds to the artistry of the work. Its political subtext corresponds with America's stance regarding European policy at the time. Other issues such as women's rights and religious bigotry help to likewise bolster the tale.
I agree that "How Green Was My Valley" is a fine achievement, now gloriously restored to dvd for many future viewers to enjoy.
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