Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-martialed, kicked out of the Army, and boards a Japanese ship for the Orient in late 1941. ... See full summary »
Roy 'Mad Dog' Earle is broken out of prison by an old associate who wants him to help with an upcoming robbery. When the robbery goes wrong and a man is shot and killed Earle is forced to go on the run, and with the police and an angry press hot on his tail he eventually takes refuge among the peaks of the Sierra Nevadas, where a tense siege ensues. But will the Police make him regret the attachments he formed with two women during the brief planning of the robbery. Written by
Mark Thompson <firstname.lastname@example.org>
Aw, the film that launched stardom for Humphrey Bogart and changed him from the perpetual villain to the "good guy."
The movie doesn't feature a lot of action but it keeps your interest. You have two women in here: the hard-boiled Ida Lupino and the soft-and-sweet Joan Leslie. Both are entertaining to watch and both demonstrate a few surprises in the personalities of the characters they are playing. Bogart does the same: goes back and forth between tough guy and softy.
Another key member of this unusual crime story/film noir is "Pard:" a little dog! Human supporting roles are supplied by some familiar and solid actors such as Arthur Kennedy, Alan Curtis, Henry Hull, Henry Travers, Barton MacLane and Cornel Wilde. Most of the people in here, including "Pard," are that endearing but there are so many different angles to this story, it's always interesting to see.
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